The homes designed by Tony Owen Partners are always interesting, always unique and are usually likely to spark an aspirational desire to live somewhere better.

The Rachel Foster Building, photography by Andrew Loiterton.
July 29th, 2022
Signatured by amorphic design, Tony Owen Partners’ curved and undulating facades house interiors where the curve continues. Stating that his is a proactive and inclusive approach toward a realisable architecture that challenges the norm, he has long been an advocate for pushing the boundaries.
“Time and again, really good design has the power to capture people’s imaginations and create momentum. Strong design gives assurance that there will be a good result,” says Tony Owen of Tony Owen Partners.

His latest project, comprising 260 apartments distributed across four buildings in the heart of Redfern, continues to challenge perceptions. Here, the project located and named for the site of the Rachel Foster Hospital is very quietly, very discretely public housing.
“We were conscious that as public housing, it still needed to present the highest level of design and quality,” says Owen. To this end, the spatial configuration of the original hospital of four early modernist buildings has been retained. As has an original circular garden forecourt, the main building and colonnade of a second building have been incorporated into the new scheme.

Exploring the original design language, Owen has given the apartments a modernist, almost P&O aesthetic that touches on the building’s historical scope. Moreover, the combination of materials and finishes imbues the project with interest, while the curves add a sculptural quality. The timber inlays and screens are particularly considered, with each playing a part in a much larger visual design.
Creating opportunities for social interaction has been a key driver, and for this project, a network of discrete public spaces has been realised towards this end. “By juxtaposing the existing fabric with new plazas, concrete walls, planters and greenspace, we could provide a rich and textured environment for social interaction,” says Owen.
Tony Owen Partners
tonyowen.com
Photography
Andrew Loiterton from AJL Photography





We think you might like this article about working together in the changing workforce.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
At 3daysofdesign 2026, AHEC’s immersive exhibition traced the journey of American hardwood from forest to finished product.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
For emerging Melbourne practice CARD, architecture is grounded in authenticity, responsiveness and collaboration, with a focus on robust materials, practical thinking and the realities of everyday life.
Ahead of Saturday Indesign, six architects and interior designers consider the assumptions that continue to shape homes, apartments and neighbourhoods – and the conversations the industry could be having more often.
The internet never sleeps! Here's the stuff you might have missed
After two decades of creative partnership, Kim Colin and Sam Hecht of Industrial Facility step into a joint role as Herman Miller’s Global Creative Directors – a reminder that the brand’s ethos isn’t defined solely by their products, but also by the quiet thread of thought that shapes the space in-between, crafting a purposeful, human-centric and enduring trajectory.
Developed by bangdesign for Stylecraft, Kinn is an Australian-made collection of seating and occasional tables, shaped by modest proportions, practical detail and the changing demands of shared interiors.