PTW Architects have unveiled a new greenhouse for the Royal Botanic Garden in Sydney.
June 16th, 2016
The word ‘calyx’ refers to the outermost spiral of a flower, or the pod at the base that protects and binds the flower together. To mark Sydney’s Royal Botanic Garden’s 200th birthday on June 11, PTW Architects have created The Calyx, a world class horticultural rotunda and greenhouse that will showcase ever-changing exhibitions, as well as stunning greenery.
“Designing a building for a flexible horticultural display – that can also be used as an interchangeable event space at night – set within a landscape of national historic importance, required an architectural approach that would not detract from the importance of its setting,” said Troy Uleman, Project Director of PTW Architects. “Our design concept was to create a ‘jewel in the Garden’, a serene and peaceful building, with the capacity to adapt to ever changing requirements. A building that felt like it had always been a part of the Garden and would contribute to Sydney’s life and vitality.” PTW’s other recent cultural projects include Constantine Exhibition Centre and the Constantine Zenith Theatre.
The Calyx is an integrated mix of indoor and outdoor areas. Built at the site of the Arc Greenhouse in the Garden, the intelligent and sensitive architecture of the space was designed for it to reinvent itself through emotive and informative exhibitions, that will change every six to nine months. The first exhibition to feature at The Calyx is Sweet Addiction – the botanic story of chocolate. The exhibition features the southern hemisphere’s largest contiguous green wall (at 6 metres high, encompassing 285 msq), with over 18,000 plants arranged into living artworks representing the Mayan God of Chocolate.
PTW worked with Ccokram Construction to realise the project, using the existing elements of the Arc Greenhouse, which was originally designed and constructed in 1994 by Ken Woolley. The Calyx retains the extraordinary design quality, integrity and innovation of the existing structure. The most captivating element of the building is the circular steel iris structure, which opens out in a dial shape towards the sky, much like the face of an open bloom. The space houses the foyer, education and retail space, and can be turned into an event space at night with retractable walls, allowing the exhibition and event space to be combined.
PTW Architects
ptw.com.au
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Maitland Administration Centre is rooted in principles of accessibility and community in the workplace.
With 132 years in practice, PTW is one of Australia’s oldest architectural firms – but this stalwart cannot be accused of being stuck in its ways.
The internet never sleeps! Here's the stuff you might have missed
Rodney Eggleston, Australian architect and founder of March Studio, designed one of Milan Design Week’s standout installations in 2026 as Aesop took over Santa Maria Del Carmine for its ‘Factory of Light.’
Southeast Asian craft traditions meet French high fashion in Thailand, as Enter Projects Asia completes Hermès with an emphasis on rattan materiality.