The home of architecture and design in the Asia-Pacific

Get the latest design news direct to your inbox!

Tasmanian Heritage

This Tasmanian project is the result of a long love affair for architect Steven Last.

Tasmanian Heritage


BY

July 14th, 2009


Architect Steven Last describes the resurrection of this Tasmanian Heritage-listed building as like an “ARCHI.e.logical dig”, to rediscover the original designer’s vision.

Known as the Last Villa, the building was recently awarded the 2009 Australian Institute of Architects (Tasmania) Award for Heritage Architecture. Located is the sought-after suburb of Sandy Bay, around 5 kilometres from the Hobart CBD, with uninterrupted views over the river Derwent.

The building was originally designed and built in the 1940s by Taffies Patterson – influence strongly, Last believes, by the ‘Spanish master’ Antonio Gaudi. “Taffies was a master craftsman and inventive; maritime influences in terms of utilization of space were maximised,” he explains.

Perhaps the most obvious feature of the Villa is its wonderful stepped sandstone façade, offering interest in an otherwise quite conservative street. The Villa originally consisted of five separate apartments, after being restored and updated, it now has six studio-style apartments, including Last’s home and an original shed has become his work studio.

Last spotted the building when he was just eighteen and “immediately became visually addicted with its presence.”

“The building challenged all Hobart city council town planning guidelines and building regulations [at the time], it was as if the building was to become an idiosyncratic icon, a tribute to the builder designer, where fantasy became the catalyst not driven by tradition or conventional thought.”

The restoration project included a range of technological updates to bring it into the 21st Century, including a total electrical rewire and installation of heating and entertainment systems. Rather than being completely modernised, the kitchens and bathrooms have been restored to maintain the original character, with updated appliances and tap fittings.

“Its presence celebrates discussion and enchantment to the young, but once behind the sandstone like fortress wall your mind is continually teased by a series of idiosyncrasies and installations giving the impression you may have arrived in Barcelona, Madrid or some destination in Europe,” Last says.

“I feel like the custodian. It is time to expose the mystery of what is behind the wall.”

The Last Villa will be up against a number of other heritage projects in the National Architecture Awards.

lastarchitects.com.au

thelastvilla.com.au

 

 

 

 

INDESIGN is on instagram

Follow @indesignlive


The Indesign Collection

A searchable and comprehensive guide for specifying leading products and their suppliers


Indesign Our Partners

Keep up to date with the latest and greatest from our industry BFF's!

Dale O’Brien on sitting easy with Herman Miller’s Verus Chair

Dale O’Brien on sitting easy with Herman Miller’s Verus Chair

In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.

In a different light: The Geelong College’s Belerren Centre designed by Wardle

In a different light: The Geelong College’s Belerren Centre designed by Wardle

The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.

Michael Drescher and Jacob Olsen on finding the sweet spot with Herman Miller’s Sayl Chair

Michael Drescher and Jacob Olsen on finding the sweet spot with Herman Miller’s Sayl Chair

In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.

A collective vision: The whimsical workplace with Intuit, COX and MillerKnoll

A collective vision: The whimsical workplace with Intuit, COX and MillerKnoll

Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.

Related Stories


While you were sleeping

The internet never sleeps! Here's the stuff you might have missed