This December, Linden New Art presents Object Future III, showcasing some of Melbourne’s upcoming and celebrated designers.
November 17th, 2015
Opening December 3, the exhibition is centered on process, an aspect of design that is often over-looked. Through tracing each designer’s process over 2015 until their piece is ready to be exhibited, Object Future III illustrates the developments of initial ideas, prototypes as well as the subsequent finished product.
Designers exhibiting in Object Future III include Hugh Altschwager, Amos Enders-Moje of Mo-En Design, Kate Stokes and Haslett Grounds of Coco Flip, Hamish Munro, Rosanna Ceravolo and Anna Varendorff.
Hugh Altschwager takes inspiration from his Australian environment and Nordic heritage to design long lasting products using natural, unprocessed materials with a Northern European design aesthetic.
Designer Amos Enders-Moje, founder of Mo-En design, uses recycled glass from the hospitality industry, general and commercial waste and other sources of unwanted scrap glass to create lighting, jewellery and domestic objects that embody usability, beauty and sustainability.
Kate Stokes and Haslett Grounds, of Coco Flip, endeavour to create products and experiences that provoke thought and conversation, encouraging an escape from the everyday.
Curated by Suzannah Henty and Dale Hardiman, Object Future III is the third exhibition over three years, originally initiated in response to a lack of inclusive design exhibitions in Australia. According to Suzannah, “The heart of the project is to support designed outcomes with intellectual foundations, and to launch a platform for emerging and establishing designers, designer makers and artists to create unique work for the exhibition”.
Linden New Art
lindenarts.org
Object Future
o-f.com.au

INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
With facilities in Sydney, Melbourne, Brisbane and Canberra and affiliations worldwide, Flash Photobition is part of a growing global network.
Secret rooms, killer art and a formidable piece of architecture – Raft Studio’s dramatically dynamic workspace by Edition Office makes a fitting headquarters for the avant-garde graphic design squad.
The internet never sleeps! Here's the stuff you might have missed
As Saturday Indesign prepares to return to Sydney this September, architects, designers and exhibitors reflect on what has kept the event relevant for more than two decades.
SJB transforms former railway land into a 702-home build-to-rent community, using housing, public space and shared amenities to reconnect one of Melbourne’s busiest transport precincts.