With their new showroom in West Perth, Zenith Interiors demonstrates a firm grasp of Western Australia’s emerging commercial sector and characteristic quirkiness.
With their new showroom in West Perth, Zenith Interiors demonstrates a firm grasp of Western Australia’s emerging commercial sector and characteristic quirkiness.
August 1st, 2014
On a recent evening in West Perth, Zenith Interiors’ showroom brought the city’s underground design community to life. Literally, that is: Zenith’s Perth home nestles into the sub-basement space of a former chocolate and confectionary factory in inner city and brings a much-needed sense of vitality to a previously under-utilised space. Zenith’s vibrant catalogue of furniture and workstations offsets the space’s original sleepers and concrete floor, while a custom entry display unit sets the scene at first sight. The space walks the tightrope between showroom and installation art: along the far wall, Zenith seats sit solo and in pairs in pine crates salvaged from the original factory, and throughout the showroom furniture is carefully arranged in perfect tableaus of the contemporary commercial space. The classic showroom with a twist, the space is in many ways the perfect embodiment of Perth’s architectural and industrial histories.
You see, for years, Western Australia had two main industries: mining and petroleum. Between the two there was little space for other industries – let alone a creative scene – and Perth has long been unfairly regarded as the less sophisticated cousin of other capitals such as Sydney and Melbourne. However, it’s clear that this is no longer the case: as the state steps out of the shadow of the mining industry, Perth is enjoying a rebirth as Australia’s newest destination for offbeat, outstanding creative talent. This renaissance coincides with the rapid expansion of its commercial sector to provide the ideal entry point for major players within the sector, such as Zenith.
In their West Perth showroom, Zenith paid homage to this unique context with an event that tempered the standard design space launch with a heavy dose of Perth’s quirky cool. Gin from Margaret River Distilling Co’s bespoke Ginversity line took the place of champagne flutes, while local act Amanda Dee & Soothe set a relaxed vibe with a laidback, smooth musical set.























The night was one of new beginnings all around, with Zenith announcing the appointment of Jane Millington as WA State Manager and Michael Bondas as WA Regional Manager. The opening also marked the WA launch of three flagship ranges within the Zenith catalogue: Zenith’s own KISSEN and PLATFORMA ranges and Schamburg + Alvisse’s EDO Streetscape.
Taking its name from the German word for ‘cushion’, the KISSEN range unites a table, high table, and workstation with a distinct leg profile and refined, sophisticated material palette. A play on the conventional worktable and workspace, KISSEN is designed to maximise collaboration and usher in the new age of team-based working.
In a similar manner, the modular PLATFORMA soft seating and tables collection reimagines commercial seating at this exciting point of change. Offsetting clean, boldly graphic design lines and a modular configuration with sumptuous, relaxed upholstery, PLATFORMA is at once innovative and understated, making it the perfect range for Perth’s unique commercial sector.
Rounding out the trio of debuting products is EDO Streestscape, the Good Design Award Gold-winning latest offering from Schamburg + Alvisse. Inspired by the backstreets of Tokyo, EDO is a bold reinvention of the modular workspaces that is designed to maximise sociability and collaboration. Vibrant, youthful, and delightfully offbeat, EDO reflects all the best characteristics of Western Australia’s burgeoning, distinctive commercial scene.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
The Japanese designer’s re-edited Pizza Table and Cosino shelf system both offer a brand of design that is less precious and more accessible. Rachel Lee-Leong tells us more.
Orange flags and lanyards everywhere, crowds of excited but slightly frenzied-looking people roaming Sydney streets – it’s got to be Saturday in Design.
The internet never sleeps! Here's the stuff you might have missed
The Melbourne-based, not-for-profit practice has designed a new fit-out and outdoor gathering space for the Victorian Aboriginal Healthcare Service.
M Moser Associates has reimagined DuPont’s Shanghai R&D Centre as a network of connected neighbourhoods, using local references and workplace strategy to support collaboration, flexibility and future growth.