Yep, Tom Dixon’s doing a video project.
A recently launched video project by the quirky duke of design, Tom Dixon – The ‘Creative Class’ series – highlights influential people within the creative industry, sharing their thoughts, musings and opinions on their own creativity, the industry and how technology is changing it all.
Check out Season 1, episode 2 below, where the man himself shares his thoughts.
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Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
Held at Vini Divini Wine Lab in Sydney, the event brought together designers, operators and project leaders for an evening of lesser-known wines and conversation.
From indoor-outdoor furniture systems and archival reissues to experimental lighting, circular materials and collectible surfaces, these launches captured Milan Design Week’s broader conversation around comfort, craft, longevity and atmosphere.
The internet never sleeps! Here's the stuff you might have missed
With a plethora of talks, installations, exhibitions and happenings responding to this year’s theme (Design The World You Want), the eleven-day festival was the largest to date and arguably the most accomplished since inception.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Melbourne-based architect and object maker Adam Markowitz blurs the line between design and craft, bringing a deeply considered, material-led approach to his work. As both a practising architect and furniture designer, Markowitz explores how objects can respond to space, light and human use.