Wouldn’t mind having a work by UNStudio in your backyard? Filipino prefab company Revolution Precrafted has released a digitally developed, hand-woven pavilion designed by Ben van Berkel.
May 24th, 2018
It’s leading-edge architecture of a more consumable variety. Revolution Precrafted, the high-profile producer of prefabricated homes and pavilions established by Filipino developer Robbie Antonio, has released its latest designer pavilion.
The Ellipsicoon by Ben van Berkel of UNStudio joins a stable of collectible structures designed by the likes of Zaha Hadid and Patrik Schumacher, Ron Arad, Daniel Libeskind, Sou Fujimoto, the Campana Brothers and Kengo Kuma. Each of these pavilions represents Revolution Precrafted’s aim to democratise ‘high design’ by making it accessible to a wider audience.

Ellipsicoon was designed to create a tranquil and secluded space for rest, reading and contemplation, or a cocoon-like theatre for conversation. It was designed and developed digitally, then hand-woven with fully recyclable high-density polyethylene (HDPE). The result is a continuous sculptural surface that curves and tapers, with rounded openings that allow the occupant to feel simultaneously outdoors and indoors.
Van Berkel refers to it as a ‘trans-scale’ project that incorporates an art intention, and architectural intention, and a product intention. It is not only a pavilion, he suggests, but also an art object.

He says: “I have long been interested in exploring spaces which extend function to replace the reality of the everyday with the potential for more nuanced, reflective experiences. The Ellipsicoon offers a place of temporary disengagement, where the practicalities, duties and interruptions of daily life can momentarily fade and the imagination can take over.”
Across the threshold, a semi-enclosed space with a raised floor area drops to a sunken seating area – a more enclosed area with built-in seating. Variously proportioned elliptical openings offer a variety of views. Says Van Berkel, “The combination of the view through the openings and the view toward the inside creates a double reading.”

The total floor area is 15 square metres, and the Ellipsicoon measures 5.7 by 4.1 by 2.6 metres. Van Berkel worked on the project with Ren Yee, Philipp Meise and Peng Wang.
Photos © Revolution Precrafted.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
True luxury strikes a balance between glamorous aesthetics and tactile pleasure, creating spaces rich in sensory delights to enhance the experience of daily life.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
Historic Littlebourne Guest House was one of the first settler houses built west of the mountains two centuries ago. Now, a renovation and extension are designed to secure the next 200 years.
With interiors by Mathieson and architecture by SJB, Avalon Tennis Pavilion connects the main house with a tennis court at this Sydney property.
The internet never sleeps! Here's the stuff you might have missed
Kerstin Thompson, architect and advocate, has influenced the language of Australian architecture and made a profound difference to people and place.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
As part of our ongoing series of intimate editorial dinners with Signature Appliances, we recently gathered a group of architects, designers and industry voices in Sydney for a private conversation around one of design’s most persistent questions: can everyone have access to great design and beautiful spaces?