Re-defining the space within, YI+MU DESIGN OFFICE has created a place for design and exhibition that becomes an object of beauty itself in Shenzhen, China.
indesignlive.sg
June 27th, 2022
Designed with sensitivity and finesse by YI+MU DESIGN OFFICE, the Shenzhen Qizhushe Workshop and Exhibition Hall is outstanding in both form and function. The articulation of space creates a journey of discovery for the visitor and facilitates and showcases artisanal product to perfection.
Located in Shenzhen, China, the Shenzhen Qizhushe Workshop is situated within the Shenzhen International Art Design Centre. It was originally an industrial factory, renovated in the 1980s, now re-built as a Creative Complex, Designer & Home Furnishings Market and Mall. Now, with the realisation of the Workshop, there is a place where designers can create, research and develop original furniture and display product to the public.
The brief to the designers was to provide a multi-functional space that spoke of craft and the hand-made, to complement the work of the object making residents. Designers of the project, Chen Yi and Zhang Muchen, Principals, YI+MU DESIGN OFFICE, have accomplished this with aplomb, exploring the space, connecting and re-connecting the visual sightlines through the use of timber batons, and abstracting and bending the interior to their requirement. The end result is sophisticated yet rustic, and becomes a work of art in itself.
At the centre of the 320-square-metre interior is a column and, from this, all else emulates. The column is the structural symbol or a ‘nest’ that anchors the design and from here, cross structures extend beyond an inner circle. Light spreads outward, decreasing in strength, filtering through the walls of batons and the surrounding exhibition displays to reflect shadow. With this use of light and shadow, there is a distinct spiritual quality to the interior, where reality and the virtual interface, to create another more spiritual world.
Next to the rear windows and a long timber seating banquette is a set of suspended mesh structures that serve as display racks. The design is a simple block shape, some 19 metres long, and this contrasts with the intimacy of the “nest” to delineate the multi-dimensional area. Along with the exhibition space there is also a large area reserved for makers to workshop ideas and develop and conceptualise products.
Materiality is concise with timber, concrete and steel which informs the colour palette of soft timber hues, grey and black. Timber off-cuts discarded during furniture production have been used within and contribute to the idea of craft and design. The interior is minimal, cold and warm, light and dark but the experiential design offers the visitor and resident alike, a place to explore that is an interior and spatial masterpiece.
YI+MU DESIGN OFFICE, formerly known as Fenghe Muchen, is a space design agency co-founded by Chen Yi and Zhang Muchen in 2002. It is an award-winning studio with offices in Beijing, China and Vancouver, Canada. The projects undertaken by the practice are innovative and experiential and they explore the dimension of space on every level. Through creative design, the practice focuses on the continuation of culture and the transmission of the artistic realm that respects relationships between people and space on a spiritual level.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
London-based design duo Raw Edges have joined forces with Established & Sons and Tongue & Groove to introduce Wall to Wall – a hand-stained, “living collection” that transforms parquet flooring into a canvas of colour, pattern, and possibility.
The new range features slabs with warm, earthy palettes that lend a sense of organic luxury to every space.
The undeniable thread connecting Herman Miller and Knoll’s design legacies across the decades now finds its profound physical embodiment at MillerKnoll’s new Design Yard Archives.
For Aidan Mawhinney, the secret ingredient to Living Edge’s success “comes down to people, product and place.” As the brand celebrates a significant 25-year milestone, it’s that commitment to authentic, sustainable design – and the people behind it all – that continues to anchor its legacy.
The independent Master Jury of the 16th Award Cycle (2023-2025) has selected seven winning projects from China to Palestine.
Adelaide will debut its first city-wide design festival – every*where: Adelaide Design Week – from 20th to 24th August 2025.
The internet never sleeps! Here's the stuff you might have missed
Leading by design, Erik L’Heureux has recently taken the helm of Monash University’s Department of Architecture, and so a new and exciting journey begins for both L’Heureux and the University.
In this comment piece by Dr Matthias Irger – Head of Sustainability at COX Architecture – he argues for an approach to design that prioritises retrofitting, renovation and reuse.