Fashion brand COS presents an architectural installation by architect Arthur Mamou-Mani that’s made from renewable resources using 3D printing methods.
April 15th, 2019
Since 2012, fashion brand COS has made its presence felt at Milan’s Salone del Mobile with Instagram-worthy installations done in collaboration with design’s biggest names (nendo, Snarkitecture and Sou Fujimoto, to name a few).
This year, COS returns to the Salone with Conifera, a large-scale architectural installation that’s made from renewable resources using 3D printing technology.

Located at Palazzo Isimbardi, and designed by London-based French architect Arthur Mamou-Mani and his eponymous studio, Conifera was digitally designed and fabricated using innovative 3D printing methods. It’s made of seven hundred interlocking modular bio-bricks. Wood and bioplastic composite lattices created a sculptural pathway leading from Palazzo Isimbardi’s central courtyard to its garden.

Mamou-Mani explains: “Conifera blends the digital with the physical world while addressing sustainability through the use of compostable bio-plastic, produced and 3D printed locally. It is a dialogue between technology and craft, between manmade and the natural, and between monumentality and lightness.” The architect describes the installation as “futuristic high-tech” but also “deeply poetic and human”.

As visitors journeyed through the installation, the scene shifted as the architecture of wood and bioplastic composite in the courtyard changed into a translucent and white bioplastic one in the palazzo’s garden, communicating a digitally fabricated bridge between the human-made and the natural world.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Milan Design Week means more than lounging in luxury and the latest in bathroom beauty. We pull out a handful of exciting commercial furniture highlights.
From sculptural basins and wellness-led bathrooms to kitchens and professional-grade appliances, these Milan Design Week releases reframed the home’s most functional spaces as places of ritual and care.
From indoor-outdoor furniture systems and archival reissues to experimental lighting, circular materials and collectible surfaces, these launches captured Milan Design Week’s broader conversation around comfort, craft, longevity and atmosphere.
The internet never sleeps! Here's the stuff you might have missed
From Muuto’s softly lived-in Brera apartment to Artemest’s palazzo-scale grandeur and Studiopepe’s introspective project apartment, these Milan Design Week interiors use the home as a stage for design, feeling and identity.
Joyce Wang Studio transforms Sha Tin Racecourse into Genso, a retrofuturist dining and entertainment world with a cinematic atmosphere.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.