We take some time out with LAVA’s Chris Bosse on the Indesign Couch to talk about his Giant Digital Origami Tigers at Customs House in Sydney.
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The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Indesign Editor, Lorenzo Logi, discovers the value of ‘meaningful narratives’ in design culture, and why they are vital in communicating a regional design language, with Australian designer, Ross Didier.
The Brisbane studio of global architecture and design practice Buchan is launching into 2025 by celebrating its forty-year anniversary and moving to a new studio.
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Southeast Asian craft traditions meet French high fashion in Thailand, as Enter Projects Asia completes Hermès with an emphasis on rattan materiality.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.