Our six esteemed judges have selected what are, in their view, the most promising works by emerging designers in our inaugural Launch Pad Asia awards. And you’ll get to see them all at Singapore Indesign 2014.
August 14th, 2014
Top image: Window Seat by Kelvin Lim
The verdict’s out! Our six-member jury panel, which includes Hunn Wai, co-founder of Lanzavecchia + Wai; Ken Koo, Asia President of Red Dot Design Award; Nathan Yong, founder of Nathan Yong Design; Wendy Chua, co-founder of Outofstock; Ross Didier, founder of Didier studio; and Alexi Robinson, founder of Alexi Robinson studio, has picked the five finalists in the inaugural Launch Pad Asia Awards.
They are: Light by Haikal Aziz; Polyframe by Leow Yuan Kai; Spot by Nigel Geh; Window Seat by Kelvin Lim; and 70.30 by Serene Ng.
Since its inception in Australia in 2004, Launch Pad has been highly successful in nurturing and launching the careers of design talent across the country. Not just a design competition, Launch Pad is known for its unique mentorship programme whereby designers have the opportunity to be mentored by leading figures within the industry.
In Australia, Launch Pad has already helped to launch the careers of Charles Wilson, Nick Rennie, and many more, all of whom have found success not only locally, but on an international level.
All five finalists will be receiving a personalised industry mentorship from a Launch Pad Asia judge, who will offer valuable insights into developing their creative business, marketing their brands and products, finding retailers, connecting with manufacturers and more.

70.30 Work & Dine Table by Serene Ng.
The works of all five finalists will be showcased at Singapore Indesign. Additionally, we will soon be announcing the two winners who will each be taking home a cash prize of $1,000 to put toward developing their prototypes. So watch this space!
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
Blending versatile cooking with smart performance, Bosch AccentLine appliances bring a quieter sense of order and simplicity to the modern kitchen.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
‘Community’ was the dominant theme at the INDE.Awards 2018 Gala in Singapore. It was a celebration of outstanding design, architecture, material and culture as well as an opportunity to knit together a stronger fabric for our regional industry.
The internet never sleeps! Here's the stuff you might have missed
The Melbourne-based, not-for-profit practice has designed a new fit-out and outdoor gathering space for the Victorian Aboriginal Healthcare Service.
As Saturday Indesign prepares to return to Sydney this September, architects, designers and exhibitors reflect on what has kept the event relevant for more than two decades.
At Machine Hall, Herman Miller gathered Sydney’s design community to consider performance seating as part of workplace strategy, not just workplace furniture.
Scheduled to open later this year on the banks of the Parramatta River, the 30,000-square-metre Powerhouse museum — designed by Moreau Kusunoki in collaboration with Genton — represents a major shift in the geography of Sydney’s cultural infrastructure.