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April 24th, 2013
It’s the year of revolutions for the design industry. The changing nature of the market has lead to a shift in how design enterprises respond to uncertainty in market conditions and consumption, and have therefore created a subsequent need for a ‘no- nonsense’ approach to operating protocols.

In this edition of DQ we explore the recent trend toward the simplification of business models, the market dynamics at play, and what this means for the future of the industry.
We meet with the trail-blazing companies and people trending this shift, and develop an understanding of the design revolution from their stories.

Within the spectrum of breaking new ground, DQ speaks with Finnish famed designer and CEO of MARIMEKKO, Mikka Ihamuotila, about the pitfalls, benefits, and lessons of taking your brand into uncharted territory.
Also taking the revelatory path, Dutch textile manufacturer INNOFA chats with us about diversifying product expansion to meet a new need for an evolving and hungry market.
This issue’s DESIGNPRENEUR features some heavy hitters of industry trend- setting, such as veteran interior designer Kerry Phelan who speaks candidly about the importance of creative evolution in design, and the challenges this can create.
FORCES+FACES in the latest DQ brings you the leaders at the forefront of innovation and industry trends, featuring such players as: Tomek Archer, Adam Goodrum, and CONSENTINO’s Gary Isherwood.

Well established in the design social scene, DQ brings you first-hand coverage from all the leading parties and events, as well as enterprising stories.
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Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
Now cooking and entertaining from his minimalist home kitchen designed around Gaggenau’s refined performance, Chef Wu brings professional craft into a calm and well-composed setting.
The difference between music and noise is partly how we feel when we hear it. Similarly, the way people respond to an indoor space is based on sensory qualities such as colour, texture, shapes, scents and sound.
At the Munarra Centre for Regional Excellence on Yorta Yorta Country in Victoria, ARM Architecture and Milliken use PrintWorks™ technology to translate First Nations narratives into a layered, community-led floorscape.
Identity and narrative are at the heart of London-based, South African Christopher Jenner’s work.
To reflect the unique local characteristics of Western Australia, WALGA elected to have the Kangaroo Paw, a local plant of the Wildflower State, recreated on its buildings facade using Locker Groups Pic Perf Atmosphere system.
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A simple and stark silver box juts out into the street. It can be no other than architectural practice TAOA’s new studio.
At Kilvington Grammar, ClarkeHopkinsClarke Architects (CHC) has converted an old single-storey library into three levels of flexible, collaborative learning spaces.