The home of architecture and design in the Asia-Pacific

Get the latest design news direct to your inbox!

Urban Art for Brisbane Airport

A new car park is set to scintillate at Brisbane’s Domestic Terminal.

Urban Art for Brisbane Airport


BY

August 19th, 2010


International art-based studio Urban Art Projects (UAP) will be partnering with artist Ned Kahn and Hassell Sydney to transform a multi-level car park into a work of urban art.

The Brisbane Airport Corporation (BAC) commissioned UAP to convert Brisbane’s new Domestic Terminal short-term multi-level car park into a public art project with the help of American artist Ned Khan, renowned for taking advantage of the elements for his dynamic works.

For the collaboration with UAP and BAC’s design team, Khan will create a 5000 sq metre kinetic façade for the new short-term car park.

From the exterior, one side of the car park will appear to scintillate when the wind passes through some 250,000 aluminium panels, at the same time providing natural ventilation.

Inside, the patterns of light and shadow will be projected onto the walls as the sunlight passes through the panels.

The new Domestic Terminal short-term multi-level car park is part of a significant upgrade of the Brisbane Domestic Terminal and will also provide 5,300 undercover car spaces across nine levels.
     
The car park and Ned Kahn façade is expected to be completed in late 2011.

Urban Art Projects
uap.com.au

urban art projects

INDESIGN is on instagram

Follow @indesignlive


The Indesign Collection

A searchable and comprehensive guide for specifying leading products and their suppliers


Indesign Our Partners

Keep up to date with the latest and greatest from our industry BFF's!

A collective vision: The whimsical workplace with Intuit, COX and MillerKnoll

A collective vision: The whimsical workplace with Intuit, COX and MillerKnoll

Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.

Michael Drescher and Jacob Olsen on finding the sweet spot with Herman Miller’s Sayl Chair

Michael Drescher and Jacob Olsen on finding the sweet spot with Herman Miller’s Sayl Chair

In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.

Dipped in integrity: The profound depth of Aeron Chair’s extended palette

Dipped in integrity: The profound depth of Aeron Chair’s extended palette

Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.

Alex Bain on finding his anchor in Herman Miller’s Aeron Chair

Alex Bain on finding his anchor in Herman Miller’s Aeron Chair

In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.

Related Stories


While you were sleeping

The internet never sleeps! Here's the stuff you might have missed