HERO ACMI the winning project in The Social Space at the 2021 INDE.Awards is a refined and pared back restaurant designed by Chris Connell Design.
September 6th, 2021
Situated in Melbourne at ACMI in Federation Square, the interior concept was inspired by a 1967 Jacques Tati film entitled, Playtime. With unique dining zones under a uniform ceiling, this all-day casual restaurant reflects a cool interior aesthetic with art at its heart. A feature of the interior is the broad-stroke portraits, that line the walls, by Australian artist Australian Christina Zimpel. The portraits are of heroes from across the spectrum of art, music and film and these become the backdrop to the dining experience.

A colour palette of greys, whites and blues has been employed and the relaxed ambience presents as a place where patrons can relax at any time of the day and night. With seating for 150 inside and a further 100 outside, ACMI HERO is a place that can cater for a party or an intimate dinner for two.
There are various areas within the restaurant that cater for a variety requirement, such as a brushed stainless steel kiosk, reminiscent of the cinema kiosk, that can close completely when a formal setting is required. Or a chef’s table made of marble with a custom-designed linear pendant in bright orange overhead, as well as the more informal dry bar with leather and steel banquettes and full-height screens that help break the visual sight lines between the bar and formal dining area.

In all, HERO ACMI is a special place for socialising, meeting and dining. A place to meet for a coffee, a glass of wine or a three-course meal – all within the beautiful surrounds of a bespoke interior. As winner of The Social Space, it is a stand out.

Photography by Earl Carter
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
The difference between music and noise is partly how we feel when we hear it. Similarly, the way people respond to an indoor space is based on sensory qualities such as colour, texture, shapes, scents and sound.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Tamara Veltre, director at Breathe, reflects on the studio’s collaboration with Haymes Paint — a deliberately reduced, architect-designed palette that reframes colour as part of architecture, not an afterthought.
Discover Doreme’s Kolkata workplace and showroom — a neon wonderland celebrating children’s joy with bespoke design.
The internet never sleeps! Here's the stuff you might have missed
From a beachfront transformation in Bali to a cross-cultural prelude in Tokyo, Southeast Asia’s leading design platform returns with renewed urgency and regional ambition.
Casey Talbot of Studio Collective discusses the design of a new Brisbane clinic that balances healthcare requirements with a more considered, patient-focused interior.