It’s mission accomplished at the new Enero workplace in Pyrmont. Designed by Amicus and The Bold Collective, it prioritises productivity and play.
May 12th, 2017
Designing a workplace is not just about designing a functional space. These days it’s about designing a productive space that caters to where, how and when people work best. Enero has embraced this need for adaptability, providing an office and a culture that facilitates diverse and flexible work modes. Designed by Amicus People & Culture and The Bold Collective, Enero’s new office, located in a heritage-listed woolshed in Pyrmont, Sydney, is a vibrant workplace and agile environment.
Enero is the umbrella company for a network of marketing and communications businesses including BMF, Naked and Hotwire. Now, not only under one umbrella, these businesses are also consolidated under one roof where they can more easily collaborate whilst maintaining their individuality.
The office is divided into what Amicus project director James Peebles describes as “home zones” that balance the needs and identity of each business. Each home zone has been specifically designed and branded while bump spaces encourage connectivity. Amicus and The Bold Collective worked closely with Enero and the individual businesses to establish the most appropriate and productive workspaces. “There is a variety of workstation styles – regular, circular, and high benches; booths; collaboration zones; and focus/quiet areas – which allows workers to select an area based on the type of activity they are performing,” James says. “It’s interesting to see how the businesses operate in the different spaces. Some are clearly more collaborative while some are more task focused.” A breakout area, bar, table-tennis table and putting green also caters to the need for socialising, relaxation and play, which can contribute to enhanced productivity.
In addition to bringing the businesses into one footplate, Enero wanted a sophisticated workplace with an arty edge, and the result is a contemporary design that’s sensitive to the building’s heritage and structure. Dramatic and atmospheric lighting highlights exposed wooden columns and beams, ducting and brick walls, and there are contrasting elements of light and dark and black and white throughout. The reception desk is spliced into black and white; grids of white-grouted black tiles line surfaces; white illustrations on black backgrounds activate feature walls; and graphic black and white upholstery enlivens furniture.
The Bold Collective also developed a wayfinding system and environmental graphics based on Pyrmont’s history. One lounge area has been named Hell Hole, after the notoriously difficult sandstone quarry, and the black and white illustrated wall encapsulates features of the local area.
Designing a space with an intention of how it will be used is all well and good, but how does that translate into reality? In this case, positively. “When we conducted our post-project tour we saw the workspace being used as the client had intended,” says James.” The collaboration zones were busy with meetings and there was a vibrant buzz. Mission accomplished.”
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
The Sub-Zero and Wolf Kitchen Design Contest is officially open. And the long-running competition offers Australian architects, designers and builders the chance to gain global recognition for the most technically resolved, performance-led kitchen projects.
In this candid interview, the culinary mastermind behind Singapore’s Nouri and Appetite talks about food as an act of human connection that transcends borders and accolades, the crucial role of technology in preserving its unifying power, and finding a kindred spirit in Gaggenau’s reverence for tradition and relentless pursuit of innovation.
XTRA celebrates the distinctive and unexpected work of Magis in their Singapore showroom.
How can design empower the individual in a workplace transforming from a place to an activity? Here, Design Director Joel Sampson reveals how prioritising human needs – including agency, privacy, pause and connection – and leveraging responsive spatial solutions like the Herman Miller Bay Work Pod is key to crafting engaging and radically inclusive hybrid environments.
Davenport Campbell’s Neill Johanson shares insights from WORKTECH25 and the impact of AI on the workplace experience.
‘Second Century Modernism’ is a new book by American architect, John Jennifer Marx, and calls for a newly rebalanced modern movement with more paradox and community.
The internet never sleeps! Here's the stuff you might have missed
The workplace strategist and environmental psychologist was in Sydney earlier this year to give a talk at Haworth on the fallacies of the ‘average’ in workplace design.
A regional mall, residential garden, school yard and train station were all among the projects honoured at this year’s Australian Institute of Landscape Architects’ (AILA) Victorian Awards.
The use of a single colour as the pivotal and defining design strategy, the unconventional application of contemporary colour on heritage projects, and the softening of traditionally ‘hard’ building typologies were observed in the winning projects at the 39th Dulux Colour Awards.
The Australian Passivhaus Association (APA) has released a guide outlining the process for achieving the international Passivhaus Standard, providing clarity on appropriate use of the term and the legal risks of incorrect assertions.