The unique design of the Australian Garden in Cranbourne takes out international award.
September 22nd, 2009
The Australian Garden – the latest addition the the Royal Botanic Garden in Cranbourne, Victoria – was awarded the International Federation of Landscape Architects Design Excellence award at the Asia Pacific Region Congress earlier this month.
Taylor Cullity Lethlean (TCL) with Paul Thompson have taken the idea of curated gardens out of the realm of European structure and given it back to the Australian natural landscape.
Using a range of sculptural and artistic landscape elements and incoporating those most iconic, vivid Australian colours, red earth, deep greens and blue sky (on a clear day of course), the designers have created an educational and rich experience for visitors.
An exploration of Australians’ relationship with their surroundings, The Australian Garden could only have worked on this large scale.
“The garden expresses this tension between Australians’ reverence and sense of awe for the natural landscape, and their innate impulse to change it, to make it into a humanly contrived form, beautiful yet their own work,” TCL explain.
The garden consists of several zones, from ‘abstracted woodlands’ and sand gardens on the western side to more structured highly designed gardens on the eastern side.
A large waterway divides these two personalities, ‘mediating’ between the natural and human derived elements. A large sculptural wall of red rusted steel interlocking blocks (like a rugged escarpment) designed by Greg Clrake, runs along the side of the creek.
Juxtaposing this water element is the large dry ‘red centre’ of the Sand Garden, created to resemble the Australian interior, with its low-clipped vegetation and rolling dunes of red sand.
The Australian Garden aims to show visitors the benefits and natural beauty of Australian landscapes and flora. Taylor Cullity Lethlean and Paul Thompson are now working on Stage two of the gardens, due for completion in 2011.
Hero image: View from the visitors centre of the sand garden. Photo by Peter Hyatt
Aerial photograph of The Australian Garden Stage 1. Photo by Peter Hyatt
Image Credits (Below):
2 – 3. Dianna Snape
4 – 5. Peter Hyatt
6 – 9. Ben Wrigley
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Schneider Electric’s new range are making bulky outlets a thing of the past with the new UNICA X collection.
Within the intimate confines of compact living, where space is at a premium, efficiency is critical and dining out often trumps home cooking, Gaggenau’s 400 Series Culinary Drawer proves that limited space can, in fact, unlock unlimited culinary possibilities.
In design, the concept of absence is particularly powerful – it’s the abundant potential of deliberate non-presence that amplifies the impact of what is. And it is this realm of sophisticated subtraction that Gaggenau’s Dishwasher 400 Series so generously – and quietly – occupies.
Nina Maya Interiors and Axolotl have developed a 6 year relationship based on mutual trust, admiration and creativity. The recently completed project in Sydney’s Northbridge is a celebration of thoughtful collaboration.
A firm that plays the “occasional ratbag to their own rule making”, Denton Corker Marshall has just celebrated its 50th anniversary. Explore the rules and ratbags that make this Australian-founded architectural practice truly exceptional.
The internet never sleeps! Here's the stuff you might have missed
We spoke to the Belgian architect about his work ‘Optô,’ which was on display as part of the exhibition ‘Poetica’ by WonderGlass at Milan Design Week 2025.
It’s widely accepted that nature – the original, most accomplished design blueprint – cannot be improved upon. But the exclusive Crypton Leather range proves that it can undoubtedly be enhanced, augmented and extended, signalling a new era of limitless organic materiality.