Bespoke, handcrafted lights are a rarity in today’s world. Yet from a studio in Melbourne, one designer, Christopher Boots, is showing that quality will always find an audience.
March 3rd, 2016
A graduate of Swinburne University (Industrial Design), lighting designer Christopher Boots has made an indelible mark on the lighting industry since establishing his business in 2011. In just over four years Boots has not only made enormous inroads into the local market, but has spread his ‘tentacles’ to America, Europe and Asia.
Christopher Boots’ handcrafted lights, all produced in Melbourne, show the surge of interest in beautifully made bespoke lighting. “It’s a painstakingly slow process, particularly the research and development. But it’s getting each piece exactly right and knowing what to ‘edit’ as much as what to include in each design,” says Boots, who also understands that lighting, unlike other design disciplines, requires a full understanding of international markets, in particular the many regulations that need to be addressed.
“You can’t access the American market, for example, if you don’t carefully follow the production certificates required there,” says Boots. “The way we produce needs to respond to several continents.”
Read the full story in Indesign Issue #64, on sale now. Subscribe here.
Photography by: Christine Francis.
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Entries for the Gaggenau Kitchen of the Year close on April 30!
Join us behind the scenes with V-ZUG’s in-house design team, and discover how this Swiss boutique kitchen manufacturer balances art, science and history to create its pioneering Excellence line.
Christopher Boots’ new collection has something of the other world about it. Glistening spheres of quartz crystal capture the eye and the imagination.
The design community in Melbourne gathered together for an evening dedicated to inspiring ideas on the business of design.
Designed to super-charge co-working and collaboration, Auckland’s Innovation Precinct extends into building number three, a six-storey purpose-built environment.
Collaboration is perhaps one of the most powerful tools in the designer’s and supplier’s arsenal. And where better to release the full power of collaborative creative vision than Saturday in Design? Here we revisit 10 top collaborations from this year’s event.
The internet never sleeps! Here's the stuff you might have missed
Wilkhahn’s innovative seating and furniture solutions turn conference settings and executive offices into compelling spaces centred on the people who use them.
Besotted with the rare and unusual, Imogen Reed has created a tapas restaurant in Sydney’s Potts Point, that feels at once ghostly and opulent.
To mark 40 years of design excellence, founder and CEO Nerio Alessandri recently came to Sydney. We spoke to the Italian design icon at a bustling event at Technogym’s Ruschutters Bay showroom.
The workplace has changed – and it will continue to evolve. With dynamism at the heart of clients’ requirements, architects and designers at leading practices such as Elenberg Fraser are using and recommending Herman Miller’s OE1 products for the future workplace.