Christchurch’s Transitional Cathedral, designed by renowned Japanese architect Shigeru Ban, will open its doors to the public this week. Leah Beardmore reports.
August 19th, 2013
Intended as a temporary replacement for the iconic Christchurch Cathedral that was badly damaged in a 6.3 magnitude earthquake in February 2011, the building’s completion brings to a close nearly two years of planning and construction.

The unique feature of the building’s design is that it is made up of 98 cardboard tubes weighing up to 120 kilograms and measuring up to 20 metres long.

The strong A frame structure is designed to last up to 50 years, incorporates a stained glass window and can seat up to 700 people. Shigeru Ban’s ingenious cardboard design is recyclable and extremely robust.

Although there were fears that the cardboard may get soggy in the rain, the tubes are protected by a polycarbonate roof overhead and a solid concrete floor beneath, making the Transitional Cathedral one of the safest buildings in the city, “paper buildings cannot be destroyed by earthquakes”, Ban stresses.

The Cardboard Cathedral is a symbol of hope for a renewed Christchurch, it has played a vital part in the rebirth and recovery of the city. Christchurch and Canterbury Tourism chief executive Tim Hunter believes, “it is a building which says much about Christchurch’s resilience and creativity”.

Rev. Lynda Patterson, the Acting Dean of Christchurch, feels that after the Canterbury earthquakes, the Transitional Cathedral will be a place of hospitality and welcome for the city and the wider community, “We hope everyone will be inspired to visit Christchurch, and we look forward to welcoming people to the Cathedral as visitors or pilgrims,” she said.

Shigeru Ban Architects
(Images courtesy of Christchurch & Canterbury Tourism and Shigeru Ban Architects)
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
When Italian furniture maker, Pedrali partnered with design studio, Formafantasma, the collaboration was always going to result in something both elevated and imbued with impeccable detail and flair.
Developed by bangdesign for Stylecraft, Kinn is an Australian-made collection of seating and occasional tables, shaped by modest proportions, practical detail and the changing demands of shared interiors.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
Poggenpohl kitchens are so modern, so ‘of the moment’, that it comes as somewhat of a shock to discover that the company dates back to 1892.
Featuring a beautiful curved wood wall by Mafi (featured in DQ52) and set back a block from Manly Beach with stunning views out to the ocean and over to Shelly beach, this penthouse redevelopment marks the first project for young designers C+M Studio.
The internet never sleeps! Here's the stuff you might have missed
The Australian Institute of Architects’ (AIA) 2026 National Architecture Awards Shortlist has been revealed, showcasing some of the country’s best new homes, buildings and community spaces before the winners are announced in October.
When Italian furniture maker, Pedrali partnered with design studio, Formafantasma, the collaboration was always going to result in something both elevated and imbued with impeccable detail and flair.