A stylish and comfortable solution for office spaces.
March 2nd, 2010
Designed by the Haworth Design Studio in collaboration with international furniture designer Simon Desanta, ‘Very’ seating brings global design and versatility to the forefront.
Born in Vlotho, Westphalia, Germany in 1952, Simon Desanta is a renowned international furniture designer with a passion for sustainability and ergonomics.
Desanta has already designed two of the best-selling chair systems Haworth has had on offer: System 50 and System 77.
With a 10 years warranty and GECA certification, ‘Very’ incorporates the best of Haworth’s design in a range of customised applications using cutting-edge sustainable methods.
‘Very’ delivers international design with a smart, slender profile that celebrates its light scale and airy aesthetic.
With a generous seat pan width, ‘Very’s’ conference chair features a gas lift to offer a wide and adjustable height range, combined with a large waterfall edge, which provides maximum comfort.
‘Very’ has a torsional movement within the seat and back- a recline mechanism that converts the user’s weight into resistance while minimizing seat movement.
Drawing on the research conducted by Haworth, a torso angle over 90 degrees has the positive impact of reducing pressure on the tailbone, a principle that has been effectively incorporated into the design.
With integral flexibility within the back moulding, ‘Very’’s options for upholstery, perforated two trim options and 10 colour options give this light scale, polymer chair plenty of aesthetic choices to suit individual preferences.
Committed to design for the Environment (DFE) sustainable manufacturing, ‘Very’ is made with up to 71% recycled content and up to 98% recyclable materials.
Haworth
haworth-asia.com
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
The undeniable thread connecting Herman Miller and Knoll’s design legacies across the decades now finds its profound physical embodiment at MillerKnoll’s new Design Yard Archives.
Welcomed to the Australian design scene in 2024, Kokuyo is set to redefine collaboration, bringing its unique blend of colour and function to individuals and corporations, designed to be used Any Way!
London-based design duo Raw Edges have joined forces with Established & Sons and Tongue & Groove to introduce Wall to Wall – a hand-stained, “living collection” that transforms parquet flooring into a canvas of colour, pattern, and possibility.
The new Troag light by Foscarini features a weightless, linear and suspended design that transmits a sense of natural familiarity in both domestic and professional spaces.
Richmond/Cremorne put on some serious party venues at this year’s SiD, you could literally feel the beat – the perfect way to launch the latest products and get to know your community.
The internet never sleeps! Here's the stuff you might have missed
Type designer Vincent Chan, who delivered a keynote speech with the Powerhouse as part of Sydney Design Week, tells us about the history and importance of this niche profession.
Minimalist in form yet robust in performance, the Artisan 934 Panoramic Sliding Door reframes the function of a sliding door as a central architectural element.
The INDE.Awards 2025 has named House on a Hill by Leeton Pointon Architects and Allison Pye Interiors as the winner of The Interior Space category, presented by Tongue & Groove. This multigenerational country home on Bunurong Country redefines residential architecture and design with its poetic balance of form, function, and sanctuary.