Entries open for the General and Student Division of Gregory’s furniture competition.
March 1st, 2010
Gregory Commercial Furniture (GCF) announces the opening of entries for the 2010 Creative Vibe Design Competition, with ’Feature Seating’ as the theme for designers.
Launched by GCF in 2006, the Creative Vibe Competition aims to support local design and innovation, inviting entrants to respond to a different brief each year, focusing on aspects of commercial furniture design.
The new Student Division, to run in 2010, will see student entries accepted alongside professional, aspiring and amateur designers.
The Student Division is open to current students residing in the Sydney area of NSW.
The winner of the Student Division will receive $1000 prize money, their prototype to keep and, if the design is included in the GCF Creative Vibe portfolio, the student will also receive royalties (terms and conditions apply).
The General Entry division has seen the success of a number of entries over the years.
Both winning and runner-up designs have been chosen to be part of the Creative Vibe portfolio and have proven to be signature pieces and exemplary representations of the local design community.
“We truly believe that the future growth of our industry can come from within and by supporting local design GCF is helping to make a difference,” Maree Draper, creator of Creative Vibe.
The Winner of the General Entry division receives $5000 prize money, their prototype to keep, and royalties if their design is chosen to be part of the Creative Vibe portfolio.
Closing date for the competition is 31 May 2010.
Gregory Furniture
gregoryaustralia.com.au
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Rosana Orlandi Space – Jaime Hayon’s Crystal Candy Set for french crystal company Bacarrat. Combining crystal and porcelain with the tradition of the company.
The Surry Hill Hotel has undergone some serious changes recently, transforming itself into a one-off, trendy, hub. Words by Zachary Klein.
The internet never sleeps! Here's the stuff you might have missed
Designed with Made For, Wildflower’s Melbourne office uses a restrained material palette, bold colour and curated furniture to create a workplace that reflects the company’s approach to interiors.
A recent gathering hosted by Wilkhahn brought designers together to discuss flexibility, technology and the changing role of the workplace.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.