Developing an Italian-made bathroom tapware range that encapsulates the meaning of “style” is how the Abey’s Gareth Ashton Stile Range was born.
Since 1956 Abey Australia has consistently set the bar higher and higher in the plumbing and building industry, and having spent the last twenty years defining such a huge spectrum of the Australian bathroom design market, it’s remarkable seeing the brand continue to flourish and innovate as it grows, which brings us to the Stile range.
With a continually growing portfolio of over 2500 products, Abey’s range is the staggering result of a 60-year commitment to product development, a focus on innovative approaches to materiality and finishes, coupled with a quest for improved quality. The Italian-made Stile range captures its namesake meaning of style. The Gareth Ashton range reflects the innovation and global design passion of Abey, bringing together unique design elements to create pieces that have a lasting impression. Possessing a styled minimalism, sleek lines and a balance of organic and angular shapes, the range is the perfect compliment to a modern space.
The Stile range is available in five modern metallic Finishes to suit every bathroom design and colour scheme. In addition to being modern, stylish and of impeccable quality, Stile tapware manages to be a highly affordable choice in bathroom design. The range’s unique-shaped spout and handles ensure it will leave a lasting impression in any bathroom.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Sydney’s newest design concept store, HOW WE LIVE, explores the overlap between home and workplace – with a Surry Hills pop-up from Friday 28th November.
For those who appreciate form as much as function, Gaggenau’s latest induction innovation delivers sculpted precision and effortless flexibility, disappearing seamlessly into the surface when not in use.
At the Munarra Centre for Regional Excellence on Yorta Yorta Country in Victoria, ARM Architecture and Milliken use PrintWorks™ technology to translate First Nations narratives into a layered, community-led floorscape.
In an industry where design intent is often diluted by value management and procurement pressures, Klaro Industrial Design positions manufacturing as a creative ally – allowing commercial interior designers to deliver unique pieces aligned to the project’s original vision.
Experimental architecture practice AR-MA combine robots, lasers and Corian in their futuristic iteration of the Fugitive Structures programme at Sherman Contemporary Art Foundation. Text by Nicky Lobo.
The internet never sleeps! Here's the stuff you might have missed
The World Architecture Festival has named The Holy Redeemer Church and Community Centre of Las Chumberas in La Laguna, Spain as World Building of the Year 2025, alongside major winners in interiors, future projects and landscape.
AHEC has produced a documentary exploring forestry and stewardship through long-term forest management and human responsibility.
At Melbourne Design Week, Plus Studio brought together planners, designers and local government voices to unpack the realities of urban densification.
Merging two hotel identities in one landmark development, Hotel Indigo and Holiday Inn Little Collins capture the spirit of Melbourne through Buchan’s narrative-driven design – elevated by GROHE’s signature craftsmanship.