Christina Waterson’s sculptural cardboard installation was an instant hit at 2007’s RAIA dinner. Read the extract article by Stephen Crafti for Indesign Magazine #32 here.
February 19th, 2008
Christina Waterson wears several hats: an architecture graduate, a designer and an artist.
“I’ve always thought of myself as an artist first,” says Waterson, who has been making things for as long as she can remember.
“I feel most content when I’m working with my hands.”
Waterson has been oscillating between art and architecture since graduating in architecture from the University of Queensland in 2005, where she received the top graduate award in Architecture, a prize that included placement with Cox Rayner Architects.
Her decision to focus on her art practice was initiated by a design conference, held at the Bay of Fires in Tasmania (May 2007).
“That week away gave me a chance to reflect on where I was headed. I’ve always had an art practice, but now the focus has changed,” says Waterson
However, even before graduating in architecture, Waterson worked in public art management, securing a position with the Queensland Art Gallery.
Working as an exhibition designer with the gallery for four years gave Waterson the opportunity to look at design in a broader context.
“My work has always been materials based. I’ve always seen architecture as a form of art,” she says.
Waterson’s designs involve complex structural weaving in a variety of scales. Recycled materials, cardboard, stainless steel, plywood and polypropylene are all fashioned into sculptural forms.
Some of these forms end up as lighting, both floor and ceiling, while others may appear as a brooch. And often, the one design can be both.
For last year’s Royal Australian Institute of Architects (Queensland Chapter) dinner, Waterson worked with Cox Rayner Architects in creating a large installation that would provide an architectural canopy over guests.
Measuring 20x30m Waterson’s sculptural forms covered the dining area in the grand ballroom at the Brisbane Convention and Exhibition Centre.
Made of cardboard, each form took the shape of a Komodo dragon….
Read the whole article in Indesign Magazine #33, in newsagents 28th February.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In a tightly held heritage pocket of Woollahra, a reworked Neo-Georgian house reveals the power of restraint. Designed by Tobias Partners, this compact home demonstrates how a reduced material palette, thoughtful appliance selection and enduring craftsmanship can create a space designed for generations to come.
Herman Miller’s reintroduction of the Eames Moulded Plastic Dining Chair balances environmental responsibility with an enduring commitment to continuous material innovation.
True luxury strikes a balance between glamorous aesthetics and tactile pleasure, creating spaces rich in sensory delights to enhance the experience of daily life.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
Adaptability and agility are among the most important characteristics of the contemporary workplace. Bomba, a versatile sofa system recently released by Schiavello, emerged as a direct response to this.
Spring is in the air with the new collection of window fashions and external awnings from LUXAFLEX.
The Jade Museum of Shanghai brings the elegance and playful design of Chinese calligraphy to architecture, courtesy of Archi Union.
Electrolux has announced the theme for its popular global design competition that annually receives more than 1,700 submissions from over 60 countries. In 2015 – its 13th year – the Electrolux Design Lab competition is looking for innovative ideas under the theme of ‘Healthy Happy Kids’. This year there is even more reason to join […]
The internet never sleeps! Here's the stuff you might have missed
A vital element in creating an exceptional showroom is setting the scene for customers to imagine themselves in completed spaces.
Materialised’s new Magic Garden Collection with Kingdom Home brings expressive botanical design to Australian interiors through locally printed, performance-grade textiles.