Melbourne-based design duo, Melissa Chen and Kayoko Kubo of MI.KA Studio lift the veil on this increasingly abstract concept.
Since launching the Fitzroy-based MIKA Studios in 2015, interior designer Melissa Chen and architect Kayoko Kubo have built an impressive nationwide portfolio consisting primarily of large-scale hotels, retail and residential projects. Chen and Kubo each ran their own practice – Mill Interiors and Kubo Architecture, respectively – before deciding to collaborate on this venture, which has experiential design as its driving ethos.
For the small team, the focus is on creating calm, sensory spaces that elicit a particular feeling. As Kubo explains, “We want people to respond to beautiful details and the thoughtfulness of the design; to have an emotional response, even if they don’t realise they’re having one.” The co-directors believe the most conducive fit-out for producing such sensory environments is one that’s not overdesigned. As a result, MIKA Studios’ interiors are as refined in aesthetic as they are robust in concept, underscored by a sophisticated minimalism.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
Designed with Made For, Wildflower’s Melbourne office uses a restrained material palette, bold colour and curated furniture to create a workplace that reflects the company’s approach to interiors.
Designed to be touched, picked up and played with, ‘New/Relic’ was a Melbourne Design Week exhibition of every fixture you’ve never thought about twice.
The internet never sleeps! Here's the stuff you might have missed
A recent gathering hosted by Wilkhahn brought designers together to discuss flexibility, technology and the changing role of the workplace.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.