Coinciding with his collection for Australian bathware manufacturer Caroma specified in the Royal Como luxury development, Marc Newson reflects on efficiency, colour and cross pollination in the design industry.
August 3rd, 2015
Marc Newson profile image photo credit: Romeo Balancout
How do you define ‘efficiency’ in the design industry, and where do you think the industry is succeeding and/or failing in this regard?
Like in most things it is a question of precision and timing – and like in most other industries it sometimes works and it sometimes doesn’t.
How do you see the various disciplines of design informing each other? Do you feel cross-pollination and exchange is increasing? Is this a good thing?
It is definitely a good thing – but frankly I don’t see all that much evidence of it increasing.

Royal Como’s bathrooms, featuring Caroma Marc Newson
Melbourne multi-residential project, Royal Como has been specified with the Caroma Marc Newson collection, how do you feel this collection reflects the design values of the project?
I am happy to see it has been selected and it appears to reflect the modern aesthetic of this environment.
You use colour to great effect in this range, what is your thought process surrounding its use in your designs?
I often use colour – simply because I like to use certain colours that I feel comfortable with and that add something to the design – and it also adds a pop of humour – which is essential.

Royal Como’s bathrooms, featuring Caroma Marc Newson
What technology/material/concept/designer do you find exciting at the moment?
I am constantly excited by new technologies and concepts out there – there are far too many for me to identify just one or two. As far as designers are concerned – well I have very little contact – I hardly ever read design magazines.
Marc Newson
marc-newson.com
Caroma
caroma.com.au
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Have you entered the INDE.Awards yet? Time is of the essence and we’ve given you 5 pretty good reasons to enter in 2022.
Intricately designed, beautifully manufactured chair. Perfect for indoor/outdoor high traffic areas. Comfy, good looking, tough and stackable. Dimensions: Height 81/46 x width 50 x depth 53 Delivery time: 12 weeks Applications: Hospitality and residential Variations: Sled or 4 leg base Finish: Epoxy, chrome or stainless steel base Designer: Ton Haas, www.tonhaas.com
The internet never sleeps! Here's the stuff you might have missed
Interior architecture needs to shape a balance between the energy of collaboration and the facility for focused concentration.
In this edition of The Edit, we take a closer look at Pedrali’s presence at the 64th Salone del Mobile.Milano, from the exhibition architecture to the new launches unveiled within it.