indesignlive.com’s New York correspondent Jess Noble chats with the lovely ladies behind Elly Nelly, a Mother-Daughter design pair who manage their label from different time zones.
November 4th, 2009
What a way to stay in touch with Mum. Elaine and Nell Oliver live worlds apart in Cairns and New York respectively, but thanks to technology their joint design venture, Elly Nelly, has welcomed unexpected success via online sales.
“We were always inspired to set up our own label because we have always wanted to work together and be in control of our own direction,” says Elaine. “The Internet has brought the world to us enabling us to work together from across the globe.”
“Thanks to the internet – email and skype, the studio runs smoothly 24 hours. When Mum is heading to bed in Australia, I’m waking up in New York,” says Nell, who has worked in New York as a textile designer for over three years.
“There are never-ending sources of inspiration around both of us, and that for one will keep us busy for years to come. It’s such a buzz to work together even though we’re so far apart in distance. We have a great design process together.” Says Nell.
“It’s exciting after all the hard work of getting a collection together, to see your designs come to life on the runway during NY fashion week or in the pages of Vogue,” says Nell.
Using original artwork by both women, the Elly Nelly wall-works are quirky and cute, trumping the other cookie-cutter competition in this budding design market. Though half-formed and half-based in the US, Elaine and Nell are adamant the designs be recognized as Australian.
“The US is our biggest market due to the volume of people here alone, says Nell. “However we’re selling all over the world and our market is growing every day. We are an Aussie label that’s available everywhere.”
“Working in New York definitely sets the stage for whatever you want to do next. If you have the passion, talent and work ethic, you can take your designs anywhere. Mum and I have proved this with Elly Nelly, working on opposite sides of the world in two very different environments, and having success.”
(In the 1970s, Elaine counted legendary New York designer Dianne Von Fustenburg as a buyer of her work. Today, by complete coincidence, Nell is employed by Von Fustenburg in New York City.)
Elly Nelly
ellynelly.com
contact@ellynelly.com
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
The internet never sleeps! Here's the stuff you might have missed
For Mutual Trust’s Adelaide workplace, Woods Bagot drew on the idea of a stately family home to create an interior shaped by legacy and ease.
For Libertine Parfumerie’s new Armadale boutique, Tamsin Johnson looked to the warmth of the home and the rhythm of old-world shopfronts to make fragrance retail feel slower, richer and more personal.