2022’s Australian Furniture Design Award goes to Ashley Eriksmoen, for her entry ‘The Dream, or: the view from here is both bleak and resplendent.’

Winning Entry, "The Dream or: he view from here is both bleak and resplendent", photography supplied by Ashley Eriksmoen.
March 21st, 2022
Ashley Eriksmoen has been named 2022’s Australian Furniture Design Award (AFDA) winner by Stylecraft and the National Gallery of Victoria. As one of Australia’s most prestigious furniture design awards, Eriksmoen’s entry caught the jury’s attention with its exceptional and confronting design. Canberra based, Eriksmoen’s practice breaks down the foundations of furniture’s boundaries. Her entry parallels her practice, rejecting ideals of resources and waste.

Her entry, ‘The Dream or: the view from here is both bleak and resplendent’, takes a pronounced stance in criticising waste practices and reforming furniture designs. The chaise is constructed from discarded timber; its palette references the rise of modernism on the Australian landscape. Its design brings two conflicting feelings. The user can either feel comforted by its utility or be haunted with eco-anxiety by its design. Sometimes, the user feels both.
Simone LeAmon, jury chair and The Hugh Williamson Curator of Contemporary Design and Architecture, National Gallery of Victoria, praised the entry with its “innovative and thought-provoking design” that keenly conveys “the potential of postconsumer waste”.

“An exquisite construction, the furniture design belies a sombre yet critical message alerting us to the relationships between consumer waste, natural resources, deforestation and habitat destruction. The work implores us to consider strategies for creating sustainable new furniture designs from the wealth of resources that we already have at our disposal,” says LeAmon.
The AFDA award comes with a $20,000 cash prize and a two-week residency program at JamFactory. Additionally, Eriksmoen will be mentored by Stylecraft and works with them to produce a new furniture design.
The exhibitions of ‘The Dream, or: the view from here is both bleak and resplendent’ and the other four finalists’ works are on display until Friday, March 25th in the Stylecraft showroom.
Melbourne Design Week
designweek.melbourne
For more stories and a chance to be a part of Melbourne Design Week, visit our must-see list here!
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
The new range features slabs with warm, earthy palettes that lend a sense of organic luxury to every space.
Rising above the new Sydney Metro Gadigal Station on Pitt Street, Investa’s Parkline Place is redefining the office property aesthetic.
He’s the Director of Eames Office and an all-round creative polymath – and Eames Demetrios has just been in our region with Living Edge.
Kiri Morgan, Director at Nightworks Studio, talks to us about the New Zealand practice’s very own new production space at Lawson St.
The internet never sleeps! Here's the stuff you might have missed
Several design groups are coming together on 29th October, 2025 for ‘grounded,’ a day of talks and workshops on Country-centred design.
In the latest collaboration between Designer Rugs and Greg Natale, the raw rigour of modernist geometries finds its most comforting articulation in the inherent softness of floor coverings.
A new book documents the city’s historic building interiors, from 1800s coffee palaces to post-war modernist spaces.
Central Station by Woods Bagot in collaboration with John McAslan + Partners has been named one of two joint winners of The Building category at the INDE.Awards 2025. Recognised alongside BVN’s Sirius Redevelopment, the project redefines Sydney’s historic transport hub through a transformative design that connects heritage with the demands of a modern, growing city.