At 8bit’s third and biggest space yet, Architects EAT has created a space that not only celebrates the original aesthetic of the brand but also extends upon it.

(L-R) Eid Goh and Albert Mo of Architects EAT.
A new and bigger 8bit restaurant has arrived in Little Collins Street, Melbourne. The varying heights and levels within the existing space cultivated the idea of activating the design via height. Timber slats, powder-coated steel and acrylic rods act as the main material catalysts, creating a mood within the space that is both playful and inviting, situating 8bit as a unique space within Melbourne’s CBD scene. To celebrate the third instalment of this nostalgic wonderland, we speak to designer Albert Mo of Architects EAT to hear more about the space.
Albert Mo: Essentially the idea was to create a space that felt like you were entering into a video game. The name itself paints the imagery – our job was to bring those existing themes within the interior. From there we looked at who are 8bit’s main demographic (early 20s-late 30s) and devised what forms would best present themselves with both nostalgia and excitement.
With the space being the largest 8bit restaurant to date, we needed to celebrate this but also include the existing stores into the storyline. From there we began to throw around this idea of the hidden level – a place where only fun and prosperous times will be offered. You should be able to eat your burger without worrying someone is about to hit you from behind with a green mushroom!
Firstly, the Super Nintendo Console came out of retirement that’s for sure! We invited people from our office to tell us what their favourite games were while growing up and took it from there. Design is also an intuitive tool so we were aware that the design still needed to have some EAT flare to it.
The colours were predefined via 8bit’s branding, which was masterfully created by Studio IO. Materiality is always the fun part. To keep the space warm and inviting we chose to work with a lot of timber exposing the grain as much as possible to ensure there’s that element of real within the desired virtual. We also used a lot of powder-coated metals with tiles and our favourite acrylic tubes. The space needed to be tactile, inviting, fun and ready to withhold the lunchtime stampede.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Blending versatile cooking with smart performance, Bosch AccentLine appliances bring a quieter sense of order and simplicity to the modern kitchen.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
From Aesop’s light-filled installation by Australian architect Rodney Eggleston to Molteni&C’s immersive garden worlds, these are the exhibitions, launches and interventions shaping Milan Design Week so far — with more to come.
Woods Bagot has completed the refurbishment of its Sydney studio, delivering a purpose-built creative environment designed to reflect a collaborative culture and signature design thinking.
The internet never sleeps! Here's the stuff you might have missed
LINAK® releases FY 2024/25 ESG Report highlighting progress toward long‑term sustainability ambitions
Sydney-based Klaro Industrial Design launches Volume 6 featuring five locally manufactured pieces and two of dual origin, that bring warmth to commercial interiors while championing longevity and craftsmanship.
In this SpeakingOut! Interview, Peter Titmuss from BVN explores the complexities of adaptive reuse through the transformation of Sirius, unpacking how legacy, sustainability and contemporary living can coexist within one of Sydney’s most debated residential buildings.
Maruni does not rely on signature gestures or visual statements with its elegant timber furniture, but rather reveals itself slowly, through proportion, appreciation for design and a continuity between traditional craftsmanship and contemporary expression.