Maruni does not rely on signature gestures or visual statements with its elegant timber furniture, but rather reveals itself slowly, through proportion, appreciation for design and a continuity between traditional craftsmanship and contemporary expression.
April 20th, 2026
Maruni Wood Industry has a long and revered history of Japanese furniture making: a brand that treats timber a material, but also a carrier of time, memory and skill. Founded in Hiroshima in 1928, Maruni continues to work in close dialogue with some of Japan’s most respected craftspeople while collaborating with internationally recognised designers, creating furniture that is effortlessly assured.
At the heart of Maruni’s ethos is an understanding of wood as something living, even after it has been shaped. The company’s workshops draw on generations of timber knowledge – how to read grain, how to bend solid wood without stress, how to finish surfaces so they age beautifully. This respect for material is precise and technical. Advanced manufacturing techniques sit alongside hand-finishing, allowing Maruni to achieve levels of consistency and refinement that few brands can match at scale.

It’s a philosophy that finds clear expression across some of the brands iconic collaborations. The Meguro chair, designed by Naoto Fukasawa, exemplifies Maruni’s commitment to restraint. Softly contoured and visually understated, Meguro reveals its sophistication through proportion rather than gesture. Its comfort is intuitive, achieved through subtle curvature and refined joinery.
A similar clarity underpins the work of Jasper Morrison, whose long-standing collaboration with Maruni continues with the T1 Task chair and the Lightwood sofa. Morrison’s approach of refinement matches seamlessly with Maruni’s values. The T1 Task chair is robust yet elegant, minimal in its expression while suiting everyday use. The Lightwood sofa extends this thinking into upholstered form, pairing slender timber frames with generous comfort. The outcome is a piece that feels both domestic and architectural.

The Shoto collection by Cecilie Manz brings another dimension to Maruni’s catalogue. Known for her sensitivity to material and human interaction, Manz approaches timber as something to be softened. Shoto’s gently rounded profiles and pared-back detailing reflect a dialogue between Scandinavian minimalism and Japanese craft traditions, mediated through Maruni’s exacting production standards.
What distinguishes Maruni is a perfect blend of high calibre collaborators, with a consistency of its outcomes. Each piece, regardless of designer, speaks the same language of restraint, longevity and care. There is an implicit belief that furniture should endure – not just physically, but culturally. These are objects designed to remain relevant as interiors evolve, their value deepening over decades.

At a time that is increasingly driven by novelty and speed, Maruni stands apart by choosing patience. Timber is allowed to guide the process, whereby design is developed through iteration as opposed to sheer excess. The result is furniture that feels grounded and generous, shaped by both ancient knowledge and a contemporary sensibility. Maruni has earned its status of quality, one that has continued to grow slowly, deliberately, and with extraordinary confidence.
Seehosu
seehosu.com.au
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
From indoor-outdoor furniture systems and archival reissues to experimental lighting, circular materials and collectible surfaces, these launches captured Milan Design Week’s broader conversation around comfort, craft, longevity and atmosphere.
In this new edition of The Indesign Edit, the founding and managing director of CULT, Richard Munao speaks about the importance of great design within the home-workplace as we take a look at the brand’s extraordinary offering of iconic furniture pieces.
The internet never sleeps! Here's the stuff you might have missed
As a significant renewal of an established social housing project, JPW’s recently completed Cowper Street Housing in Glebe, Sydney aims to bring sustainable and community-focused density to an inner city suburb.
J.AR OFFICE’s hospitality venue in Brisbane strives to create a small oasis of shade and greenery amidst the concrete jungle of the city. Jared Webb tells us more.