July 7th, 2011
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Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Designed by Woods Bagot, the new fit-out of a major resources company transforms 40,000-square-metres across 19 levels into interconnected villages that celebrate Western Australia’s diverse terrain.
The internet never sleeps! Here's the stuff you might have missed
Designed to be touched, picked up and played with, ‘New/Relic’ was a Melbourne Design Week exhibition of every fixture you’ve never thought about twice.
With the launch of the Humanscale M/Class Monitor Arms, Humanscale proposes a different direction: one where workplace technology recedes into the background, allowing movement, posture and spatial clarity precedence.