Cocktail party at DesignEX, April 07
October 31st, 2007






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In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
The new Troag light by Foscarini features a weightless, linear and suspended design that transmits a sense of natural familiarity in both domestic and professional spaces.
Barry Jenkins has created the Venue Tables range based on principles of modularity, simplicity and sustainability – and they’re available exclusively through TCW in Australia.
The internet never sleeps! Here's the stuff you might have missed
In this edition of The Edit, we take a closer look at Pedrali’s presence at the 64th Salone del Mobile.Milano, from the exhibition architecture to the new launches unveiled within it.
In this interview, Michael Leeton reflects on his philosophy of placemaking, connection to landscape and the importance of designing homes that balance intimacy with scale, using his award-winning project House on a Hill as a central reference point.