During the State of Design festival in Melbourne, a disused warehouse became the buzzing location for This is Not a Design Market, showcasing emerging and established designers.
August 19th, 2009


















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For Aidan Mawhinney, the secret ingredient to Living Edge’s success “comes down to people, product and place.” As the brand celebrates a significant 25-year milestone, it’s that commitment to authentic, sustainable design – and the people behind it all – that continues to anchor its legacy.
CDK Stone’s Natasha Stengos takes us through its Alexandria Selection Centre, where stone choice becomes a sensory experience – from curated spaces, crafted details and a colour-organised selection floor.
London-based design duo Raw Edges have joined forces with Established & Sons and Tongue & Groove to introduce Wall to Wall – a hand-stained, “living collection” that transforms parquet flooring into a canvas of colour, pattern, and possibility.
Two new finishes in the STON-KER series from Earp Bros expand on the beauty, functionality and durability of this remarkable product.
Construction company Midas celebrated the Melbourne Cup in style with a party attended by some 300 senior representatives from Sydney’s property, architecture and interior design firms.
From the streets of New York to the laneways of Melbourne, Stephen Crafti looks at how architects are reinventing the public realm to support collaboration and connectivity.
The City of Sydney Council has awarded property developer Stockland the first ever national award for improving office energy efficiency. Stockland received the inaugural CitySwitch signatory of the year award. CitySwitch is an initiative assisting companies leasing office space to improve their energy efficiency. Stockland was commended for being a green market leader demonstrating innovation, […]
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GroupGSA delivers MUFG Pension & Market Service’s Sydney HQ with a dual Japanese–Australian identity, blending precision, warmth and workplace flexibility.
Warren and Mahoney’s design for Beca’s Auckland headquarters turns the mechanics of engineering into poetry, rethinking how workplace design can reveal its own systems.