A beautiful architectural installation, replete with a pink pond evocative of Australia’s inland salt lakes, has been revealed as the winner of the NGV 2021 Architecture Commission.

Courtesy Taylor Knights and James Carey
Envisioned as a space that becomes part of the NGV garden rather than a separate architectural object, the winning design for the NGV 2021 Architecture Commission, by Melbourne-based architecture practice Taylor Knights in collaboration with artist James Carey and landscape designer Ben Scott Garden Design is aptly entitled pond[er].
An elemental composition featuring a body of indigenous plants and a body of water, the architecture and landscape installation invites audiences to move through a series of interconnected walkways and accessible platforms. Visitors can immerse themselves within and explore the spaces of flora and water and can even step down and wade through the pink pond.

Courtesy Taylor Knights and James Carey
In response to the 2021 competition brief, the materials that have been selected for the project are locally sourced and manufactured, and, wherever possible, are intended to be distributed and used again by various Landcare, Indigenous and community groups upon deinstallation, including the Willam Warrain Aboriginal Association.
The pond’s pink hue is a direct reference to the many inland salt lakes in Victoria and highlighting the scarcity, importance and political implications of water as a natural resource. The installation also includes beds of Victorian wildflowers, designed in association with Ben Scott Garden Design, that bloom at different times throughout the installation seeks to highlight the beauty, precariousness and temporality of our natural ecology.

Courtesy Taylor Knights and James Carey
“Through an elegant interplay of architectural and landscape elements, this work draws our attention to the challenges facing Australia’s many catchments and river systems, whilst also ensuring that the design itself has minimal environmental impact by considering the future lifecycle of the materials used,” says Tony Elwood AM, director of NGV.
Pond[er] was selected the winner from a strong shortlist consisting of Aileen Sage Architects with Michaela Gleave, Listening to the Earth, which explored interconnectedness between people at a time of restricted human interaction; Common + Enlocus, At the Table, an installation offering a sensorial, productive, and edible garden; MDF / Manus Leung + Duncan Chang + Fu Yun, Ring Ring Swing, a playful and evocative installation that embraced the social and communal potential of the swing to foster human connection; and Simulaa with Finding Infinity, Gas Stack, an ecologically minded and engaging installation that evokes both a biotech lab and the vertical city.

Render of Common + Enlocus’ design At the Table 2021. Image courtesy of Common + Enlocus
“Consistent with previous winners, pond[er] demonstrates the alignment of values of the NGV and RMIT University that continue to underpin our partnership,” says Tim Marshall, RMIT vice president. “Climate emergency, social inclusion and care for Country emerge through this thoughtful project.”
The 2021 NGV Architecture Commission will be on display from 29 October 2021 – August 2022 at NGV International, St Kilda Road, Melbourne. Free entry. Further information is available via the NGV website: NGV.MELBOURNE.

Render of MDF / Manus Leung + Duncan Chang + Fu Yun’s design Ring Ring Swing 2021. Image courtesy of MDF / Manus Leung + Duncan Chang + Fu Yun

Render of Simulaa with Finding Infinity’s design Gas Stack 2021. Image courtesy of Simulaa with Finding Infinity

Render of Aileen Sage Arcitects with Michaela Gleave’s design Listening to the Earth 2021. Image courtesy of Aileen Sage Arcitects with Michaela Gleave
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
When Italian furniture maker, Pedrali partnered with design studio, Formafantasma, the collaboration was always going to result in something both elevated and imbued with impeccable detail and flair.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
Suzhou MixC World draws on the city’s historic streets and gardens to create a retail precinct that feels less like a shopping centre and more like an extension of the public realm.
From landmark transport infrastructure and adaptive reuse to inventive housing and regional projects, the 2026 NSW Architecture Awards recognised the breadth of architecture shaping the state.
The internet never sleeps! Here's the stuff you might have missed