Ain't No Party Like a Gray Puksand Party

October 12th, 2017

graypuksand.com.au

Guests enjoyed an unforgettable experience at level 55 of Melbourne’s iconic Rialto building, where Gray Puksand was able to thank clients, supporters and staff alike on another stellar year.

Managing Partner Robert Puksand and State Partner Nik Tabain were present to announce the acclaimed architecture and design practice’s vision for a truly inspired future, and that’s something worth celebrating.

Photography by Elleni Toumpas
Styling by St Hakea Events

[ngg_images source=”galleries” container_ids=”2423″ display_type=”photocrati-nextgen_basic_thumbnails” override_thumbnail_settings=”0″ thumbnail_width=”100″ thumbnail_height=”75″ thumbnail_crop=”1″ images_per_page=”20″ number_of_columns=”0″ ajax_pagination=”0″ show_all_in_lightbox=”0″ use_imagebrowser_effect=”0″ show_slideshow_link=”1″ slideshow_link_text=”[Show slideshow]” template=”/var/www/site/wp-content/plugins/nextgen-gallery/products/photocrati_nextgen/modules/ngglegacy/view/gallery.php” order_by=”sortorder” order_direction=”ASC” returns=”included” maximum_entity_count=”500″]

INDESIGN is on instagram

Follow @indesignlive

HOSPITALITY :: A design double header with @Kori_i

Dipping offices in colour with Herman Miller

Bidding farewell to mundane and uninspired office spaces, colour has transformed our workplaces into layered and engaging environments. So we sit down with Karina Simpson, Hot Black’s Workplace Lead, to talk about the influence colour has on the workspace landscape through the prism of Herman Miller’s progressive colour philosophy.

Brave new worlds made possible with Tilt

Ostensibly an industrial design consultancy, Tilt was born of the observation of an increasing gap between architectural ambition and construction capability. The skill set lies in facilitating the inherently creative bent of architects, landscape architects and artists with engineering and industrial design solutions.

Super-charged, energised and unexpected: workplace design with Bradhly Le

The idea that the only way is forward isn’t new but it feels particularly current when it comes to the evolution of the commercial workplace. Here, Bradhly Le takes stock of the significant transformation this typography has been going through – and points to adaptable design as one of the essential vehicles for this dynamic shift.