With over 20 years experience in the built environment, Scott Clements talks about the changes the industry’s facing, how his team stays ahead of new technology and ways engineering can benefit architecture.
February 10th, 2016
Why did you become an engineer?
I love problem solving. Most engineers are excellent at going into extreme detail to design their specific part of a project. My drive is to really understand everyone’s part of the project.
I get very involved across all of our work, and attend meetings with entire project teams, to better understand what the architect and client really want. I’ve dabbled in marketing and finance in the past, so I can offer solutions that are sometimes outside of engineering, which I really enjoy.
What are some of the changes you’re seeing in the built environment industry? What’s next?
I’ve seen an industry that moves very slowly. Technology is the key – it’s everywhere, and I think we’re about to take it to the next level here in Australia.
In Europe, particularly countries like Germany, they’re very far ahead of us in the use of technology in building and construction. In Australia, we’re using technology frequently in design, but rarely in construction – we need to bridge the gap. That’s going to be a huge change over the coming years.
At Inertia Engineering, we try and keep ahead of software trends to make our client’s lives easier in the long run.
How do you make sure your team stays on top of the new technology that is constantly surfacing?
By being extremely interested in it – that’s the only way you can stay ahead. If new technology comes out, we read about it, we explore it. We have a staff member who’s dedicated to researching the latest technology systems. We’re constantly sharing ideas on improving productivity and our operational software, which in turn leads to a better result for our clients.
How can engineering benefit architecture?
It’s all about understanding each other and trying to drive the best solution. Every day I ask myself, what does the client want from the project and how can we achieve the best result? Being on the same page as an architect is the first way to do this. I think that’s where most engineers fall down – they don’t understand what the architect is trying to achieve, or the pressures they’re under. Structure goes hand in hand with architecture, especially if it’s on display. I don’t think there’s anything that’s particularly impossible to achieve. If we start working together earlier, we can save time, money and push the boundaries of possibility.
What’s your future vision for Inertia Engineering?
I’d like to keep us somewhere in between a big and small company. We have the capacity to do large-scale projects, but I want to make sure we’re always offering a highly-personal service. We keep our team sizes small. This way, our leaders can easily operate and manage everyone, and remain very accessible to our clients, instead of having a large convoluted company structure to weave through.
One thing we’d really like to do is to get involved earlier in projects to make a difference.
We work a little bit differently to other firms. We assign project directors who coordinate all engineering needs on a project, whether structural, civil, environmental, or a combination of the three. If we’re involved early on a project, we can add a huge amount of value to the end result, by understanding how each piece comes together.
Inertia Engineering
inertiaeng.com.au
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
As well as considering the materials and processes used to manufacture furniture solutions, companies like Workspace are shifting their focus to the entire lifespan of products.
Marylou Cafaro’s first trendjournal sparked a powerful, decades-long movement in joinery designs and finishes which eventually saw Australian design develop its independence and characteristic style. Now, polytec offers all-new insights into the future of Australian design.
Channelling the enchanting ambience of the Caffè Greco in Rome, Budapest’s historic Gerbeaud, and Grossi Florentino in Melbourne, Ross Didier’s new collection evokes the designer’s affinity for café experience, while delivering refined seating for contemporary hospitality interiors.
Sub-Zero and Wolf’s prestigious Kitchen Design Contest (KDC) has celebrated the very best in kitchen innovation and aesthetics for three decades now. Recognising premier kitchen design professionals from around the globe, the KDC facilitates innovation, style and functionality that pushes boundaries.
1-OK CLUB has launched this week with a collection for the NGV Ian Potter Design Store at the National Gallery of Australia running from August 6 to September 7.
Global studio Woods Bagot has been ranked 17th in Building Design’s (BD) annual World Architecture 100 list for 2013; the top firm with Australian origins in the global ranking. BD publishes an annual survey of global architecture practices, called the World Architecture 100, using data collected by UK communications agency Camargue. Details and listings are […]
The internet never sleeps! Here's the stuff you might have missed
Explore the future of cancer treatment at the Australian Bragg Centre, where a revolutionary design by Woods Bagot integrates cutting-edge proton therapy with patient-centric features, including natural light and adaptive Verosol blinds, creating a space that merges innovation and empathy for a holistic healing journey.
Symbolising a commitment to cultural preservation and timeless design, Powerhouse Castle Hill invites visitors into the stories behind the artefacts in a diverse range of educational and cultural activities.