With over 20 years experience in the built environment, Scott Clements talks about the changes the industry’s facing, how his team stays ahead of new technology and ways engineering can benefit architecture.
February 10th, 2016
Why did you become an engineer?
I love problem solving. Most engineers are excellent at going into extreme detail to design their specific part of a project. My drive is to really understand everyone’s part of the project.
I get very involved across all of our work, and attend meetings with entire project teams, to better understand what the architect and client really want. I’ve dabbled in marketing and finance in the past, so I can offer solutions that are sometimes outside of engineering, which I really enjoy.
What are some of the changes you’re seeing in the built environment industry? What’s next?
I’ve seen an industry that moves very slowly. Technology is the key – it’s everywhere, and I think we’re about to take it to the next level here in Australia.
In Europe, particularly countries like Germany, they’re very far ahead of us in the use of technology in building and construction. In Australia, we’re using technology frequently in design, but rarely in construction – we need to bridge the gap. That’s going to be a huge change over the coming years.
At Inertia Engineering, we try and keep ahead of software trends to make our client’s lives easier in the long run.
How do you make sure your team stays on top of the new technology that is constantly surfacing?
By being extremely interested in it – that’s the only way you can stay ahead. If new technology comes out, we read about it, we explore it. We have a staff member who’s dedicated to researching the latest technology systems. We’re constantly sharing ideas on improving productivity and our operational software, which in turn leads to a better result for our clients.
How can engineering benefit architecture?
It’s all about understanding each other and trying to drive the best solution. Every day I ask myself, what does the client want from the project and how can we achieve the best result? Being on the same page as an architect is the first way to do this. I think that’s where most engineers fall down – they don’t understand what the architect is trying to achieve, or the pressures they’re under. Structure goes hand in hand with architecture, especially if it’s on display. I don’t think there’s anything that’s particularly impossible to achieve. If we start working together earlier, we can save time, money and push the boundaries of possibility.
What’s your future vision for Inertia Engineering?
I’d like to keep us somewhere in between a big and small company. We have the capacity to do large-scale projects, but I want to make sure we’re always offering a highly-personal service. We keep our team sizes small. This way, our leaders can easily operate and manage everyone, and remain very accessible to our clients, instead of having a large convoluted company structure to weave through.
One thing we’d really like to do is to get involved earlier in projects to make a difference.
We work a little bit differently to other firms. We assign project directors who coordinate all engineering needs on a project, whether structural, civil, environmental, or a combination of the three. If we’re involved early on a project, we can add a huge amount of value to the end result, by understanding how each piece comes together.
Inertia Engineering
inertiaeng.com.au
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
The magnetic pull of certain spaces comes down to how seamlessly they work and, more importantly, how they feel. Recognising this, Kettal Workplace draws on the uplifting codes of other sectors to deliver contemporary workplace design.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
Clever branding and graphics by Joel Spencer Design bring fun and vibrancy to a corporate environment.
The Burcham in Rosebery is a planned luxury residential development that’s equal parts challenging convention, and recalling the past.
The internet never sleeps! Here's the stuff you might have missed
Bar Ricci by Studio Kennon brings a touch of Milanese restaurant style to the Gold Coast, inspired by the meaning of ‘ricci’ in Italian.
At dedece Sydney, Anna Lenti introduced the Chromatic Alphabet, a new design tool intended to make architects and designers less hesitant about working with colour.
Ahead of Saturday Indesign, architects reflect on why smaller gatherings, unexpected voices, candid discussion and meaningful follow-up can make meeting in person genuinely worthwhile.
After two decades of creative partnership, Kim Colin and Sam Hecht of Industrial Facility step into a joint role as Herman Miller’s Global Creative Directors – a reminder that the brand’s ethos isn’t defined solely by their products, but also by the quiet thread of thought that shapes the space in-between, crafting a purposeful, human-centric and enduring trajectory.