Melbourne designers Ross Didier and Ben Edwards team up for a cool, creative concept to launch Didier’s newest range – the Zupello lighting collection.
Melbourne-based product and industrial designer Ross Didier is known for two things: quirky original design and even quirkier original visual marketing.
His collections span a portfolio of chairs, sofas, stools, rugs, tables, ottomans, lighting, storage and accessories, each inspired by seemingly un-design related influences including: classic fairytales and fables, Australian flora and fauna, culinary delights and even the physical attributes of a praying mantis.
Didier has – and continues to be – a pioneer for driving and demonstrating the value and importance of visual marketing in our industry. His artfully-curated concepts showcase the quality of his product, while cleverly packaged within the unique personality and language of his brand. His latest offering, the Zupello lighting collection, evokes memories of sweet Italian delicacies and pastries with three individual designs, shaped into sculpted canapés. Made from spun sculpted alloy, with solid brass detail, ceramic porcelain bulb holder with a white or black copper covered electrical cord, the Zupello lighting designs are aimed to compliment a wide range of residential interiors or commercial spaces.
Art directed by fellow Melbournian designer, Ben Edwards, the inspiration behind the shoot was to highlight the beautiful curved form of each of the three pendants – the thin edge almost making them appear ceramic – set within the theme of what looks like waitstaff, “serving” the designs as if they were part of some fine-dining experience. Additionally, Edwards and Didier wanted to provide an idea of the pendants size, scale and materiality, ultimately referencing the utilitarian nature of the product. To echo the culinary inspiration of collection, the set was built from smashed plates and crockery, framed by an abstract boxing ring to reference the durability of the product. Didier’s example of visual marketing is an increasingly symbolic and abstract one, serving as a strong reminder to our industry that the need to stand-out from a branding and identity perspective, has never been more important.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
Held in a private Melbourne residence, Fletcher Arts’ annual exhibition unites over 30 Australian artists and designers in a setting where art meets architecture.
Curvaceous, spiraling forms tell a story of organic precision and artful engineering
The internet never sleeps! Here's the stuff you might have missed
Drawing at a young age gave Angelene Chan an appreciation for architecture and provided the impetus to propel her to the top of her profession.
Curator, writer and educator Kate Goodwin was in town for Melbourne Design Week. Here, she reflects on how light-touch organising and designer-led spaces created some of the most impactful, distinctive exhibitions.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.