The third in Geyer’s occasional series of debates on design issues was held in Melbourne on Friday 8th of August as part of the lead-up to Saturday in Design. Report by debate mediator, and indesign Editorial Director, Paul McGillick.
August 12th, 2008
For my sins, I mediated the Melbourne clash, as I had done the previous two in Sydney. This time the topic was: The hand of the designer is lost in this age of technology. Arguing for the proposition were designer, Steven Cornell, Matthew Mulkearns from VicUrban and Geyer designer, Rosie Scott. Agin were product designer, Ross Didier, Kathy Demos from the National Design Centre and designer commentator, Rory Hyde.
I’d have to say that – as one might expect – there was a lot more thrust and parry from the Melbourne combatants than we had seen in Sydney. In fact, some of those thrusts went quite close to the bone. Or should I mix metaphors and say that Matt Mulkearns was left a little punch drunk after Kathy Demos had blamed him for all the shortcomings of Docklands.
And I copped a serve from Rory Hyde I think for aligning sex and creativity. But fortunately Kathy D. came to my rescue. Steven Cornwell was outrageous, Ross Dider forceful and Matt Mulkearns disarmingly passionate.
All up, though, I’d have to vote for Rosie Scott’s hilarious and often insightful lament for the loss of the hands-on.
Paul McGillick

INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
The difference between music and noise is partly how we feel when we hear it. Similarly, the way people respond to an indoor space is based on sensory qualities such as colour, texture, shapes, scents and sound.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Hypnotised by space and the four walls that define it, designers rarely looked down at the floor. But modular flooring has changed all that by creating a fifth wall and the opportunity for a complete design experience.
The latest ranges from Pittella with Antonio Citterio and Franco Poli show off the finer details of the premium door handle world.
The internet never sleeps! Here's the stuff you might have missed
Milan Design Week means more than lounging in luxury and the latest in bathroom beauty. We pull out a handful of exciting commercial furniture highlights.