The Museum of Brisbane presents Silky Oak, a celebration of the special qualities of a timber loved by Queenslanders.
April 29th, 2009
This exhibition explores Silky Oak’s special place in the history, culture and environment of the surrounding region. Historical items are displayed alongside a series of contemporary furniture pieces by four Brisbane designers focusing on the qualities of this unique material.
Greg Gilmour, Creative Director of the Brisbane studio Red DESIGN, produced the work Silky Carbon, a high-tech kevla table. He says that “silky oak has unique decorative qualities which bring a playfulness and exuberance to the end product”.
Surya Graf graduated with the university medal from Griffith University and has designed products for major projects throughout Australia and internationally. His contribution to the display is Weave, a seating and table system.
Luis Nheu is a furniture designer and Director of interior design at Brand + Slater Architects in Brisbane. His creation is the handmade cabinet Silky Trap, which highlights the dense and even grain of the timber.
Brian Steendÿk runs the multi-disciplinary design practice Steendyk, based in Brisbane, whose work has been exhibited in Milan, Tokyo, Berlin, Chicago and Taipei. His design is the unique lighting suite Yhi, inspired by Silky Oak’s flower.
This exhibition is on display now until 12 July 2009 on the ground floor of Brisbane City Hall, King George Square, Brisbane.
Hero Image: Brian Steendÿk with ’Yhi’

Surya Graf’s ’Weave’

Surya Graf: a work in progress

Greg Gilmour

Luis Nheu
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
“We connect with the Chin Chin customer through materiality. You would expect to see the chipboard substrate cladding in a twenty-something’s apartment. It’s raw and youthful and in that sense makes a relationship with the Chin Chin majority diner” says George Livissianis.
From high school theatre buff to accomplished architect, Mark Raggatt reveals what drew him to his career, and outlines what his practice hopes to achieve as it expands into NSW.
Designed by Gensler, the Hyundai Capital Convention Hall in Seoul, South Korea has harnessed intelligent design strategies to achieve a distraction-free learning/training space for staff, a custom assembly space, a functions venue, a place for guest lectures and a great wow-factor for client showcasing and presentations.
The internet never sleeps! Here's the stuff you might have missed
Sydney’s Klaro Industrial Design treats manufacturing as the place where design intent is protected – offering commercial designers a responsive, original and considered way to specify.
Phaidon’s ‘Atlas of Never Built Architecture’ is a thought-provoking romp through the counter-factual architectural imaginary on a global scale.