Y-E-S. And here’s why…
Every year, some journalist fresh out of uni with no industry experience will drag themselves out of bed at 2:30pm to pen some wildly inaccurate article, proudly proclaiming “I’m so anti-trade events, man”. And it’s total garbage. Design events are the lifeblood of our industry. They are literally the ONLY place to come together as an industry to really challenge and question what it is we’re doing and where we’re headed.
Salone, Stockholm, Maison, Sydney Indesign, ICFF, LDF, Clerkenwell; these events push our industry FORWARD. They give us momentum. And without them, we wouldn’t have a format in which to disrupt and experiment with our collective practice of design – and that is a dangerous prospect.
This year’s Orgatec is a stellar example of why the entire global design industry needs to get together once a year and present their R&D for the year ahead. This isn’t just products, it’s critical and revolutionary ways of thinking, making, designing that are shared here by veterans and emerging designers alike.
Orgatec 2016 for example focuses on New Visions of Work, with the specific driver of #CreativityWorking. Our understanding of work is changing – whereas a few decades ago nothing happened without a fixed desk and set hours, work is now increasingly mobile and networked. How is this change going to evolve further? What will the office of the future look like – will it even exist? How will we live and work tomorrow?
These and other questions are being creatively dissected by the next generation of architects, designers and creative thinkers at the Orgatec 2016 #CreativeWorking space. The results speak for themselves really, where these students were given the opportunity to really upset the apple cart and aggravate the establishment with their ideas for where this industry should go next. Ideas that otherwise would not have been shared or voiced. Some students are hell-bent on “making the office great again”. Others graffitied ordinary grey workstations that ripped apart industry cliches like “Make Things Happen” to “Shit Happens!”, “Start Making Sense” to “Stop Making Bullshit!” and my personal favourite “No Pain, No Gain” to “No Money, No Fame!”.
Trade events like Orgatec are a chance for our industry to change, to disagree, to try something new. Without them, design as we know it would arguably not have progressed as far or as rapidly as it has.
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Savage Design’s approach to understanding the relationship between design concepts and user experience, particularly with metalwork, transcends traditional boundaries, blending timeless craftsmanship with digital innovation to create enduring elegance in objects, furnishings, and door furniture.
The Sub-Zero Wolf showrooms in Sydney and Melbourne provide a creative experience unlike any other. Now showcasing all-new product ranges, the showrooms present a unique perspective on the future of kitchens, homes and lifestyles.
In the pursuit of an uplifting synergy between the inner world and the surrounding environment, internationally acclaimed Interior Architect and Designer Lorena Gaxiola transform the vibration of the auspicious number ‘8’ into mesmerising artistry alongside the Feltex design team, brought to you by GH Commercial.
Everyone’s talking about movement in the workplace. Is that the only thing we need to worry about?
Orgatec reminds us that design plays a decisive role in leadership and performance. But what can we learn from leadership, today?
The internet never sleeps! Here's the stuff you might have missed
Welcome to the year of the Design Effect. This year’s theme aims to showcase the profound ripple effects that exceptional design can have on people, place and planet. Join in shaping this narrative by contributing your perspective before May 3, 2024, and become a part of the Design Effect movement.
Savage Design’s approach to understanding the relationship between design concepts and user experience, particularly with metalwork, transcends traditional boundaries, blending timeless craftsmanship with digital innovation to create enduring elegance in objects, furnishings, and door furniture.