Rob Caslick’s LED Braille finally comes to Sydney as part of Lights for the Blind, an exhibition presented by Medland Metropolis Consulting Engineers in conjunction with Vision Australia and the City of Sydney.
December 1st, 2010
Lights for the Blind will showcase Caslick’s pioneering work in creating signage for the blind. After experiencing simulated blindness at a permanent installation at the Milan Blind Institute, Caslick devised a system of LED lights – the tips of which do not heat up – soldered in Braille code patterns.
LED Braille is potentially significant to 90% of the 160 million people around the world diagnosed with blindness who, according to the World Health Organisation, can see light.
LED Braille can be read by touch; some people who are blind are even able to read LED Braille by sight.
Caslick’s innovative design is set to revolutionise signage for the blind. With regulations concerning signage in public spaces becoming more stringent next year, new ways of assisting the blind to find their way in public spaces have never been more crucial.
Lights for the Blind will be both a showcase and a celebration of this simply intelligent new design. It is this clarity and vision that makes Rob Caslick a valued member of the Medland Metropolis team, where he has found an easy fit with the company’s inspired engineering culture.
The event’s opening night on Thursday 2 December will see blind ABC reporter Nastasia Campanella encounter LED Braille for the first time, as she proceeds through the installation and talks Rob Caslick through her experience.
Lights for the Blind will be exhibited at Customs House from 3 December 2010 through 31 January 2011.
Vision Australia
visionaustralia.org.au/
Customs House
cityofsydney.nsw.gov.au/customshouse
Medland Metropolis
medland.com.au/

INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Thomas Bentzen presents a friendly and warm character, thoughtful in his responses, intuitive and just a little nostalgic in his approach to furniture solutions for modern working modes. Alice Blackwood meets Thomas at the Muuto stand, at Orgatec.
Explore the the origins of the celebrated FABLE Collection – a decade-long story that continues to surprise us with its Australian craftsmanship and unique charm.
The internet never sleeps! Here's the stuff you might have missed
CPD Live arrives next week, bringing together leading experts across design, accessibility, workplace wellbeing, innovation and the built environment. Attendees will hear practical insights, emerging ideas and real-world experiences from some of the industry’s most respected voices.