The 2011 Graduate Showcase revealed a new generation of designers who are experimental and explorative in their style. Alice Blackwood reports from the runway.
March 17th, 2011
There was a touch of whimsy and a fleeting sense of fantasy to the Graduate Showcase parade at the L’Oreal Melbourne Fashion Festival.

Genevieve Kulesza
Twelve emerging fashion designers were selected for the show, their collections tapping into themes of high fantasy and Gothicism one might associate with cult classics such as The Labyrinth and Where the Wild Things Are.
Colourful patterning in soft, warm hues and strong geometric lines (White3) featured heavily, those bright, eye-drawing elements strongly reminiscent of the dreamy bohemian style of renegade label, Romance Was Born.
Threaded throughout was a strong sense of the handmade, expressed through intricate cuts and hand-drawn patterning and prints (Kate Watson and VW406).

Kate Watson
A series of structured men’s jackets and pants were juxtaposed against swirling dresses and skirts (Ana Diaz), as well as sheer layers (Kate Sala). Huiee infused kimono elements into the collars and lapels of men’s jackets, adding large, stiff bows to further accentuate the theme, while softening the overall effect.

Ana Diaz

Ana Diaz

Kate Sala

Huiee

Huiee
But nothing could beat the collection debuted by Celene Bridge, whose models strutted down the catwalk with intriguing animal heads, oversized bear paws, and delicate skeletal pieces attached to their fragile frames.

Celene Bridge

Celene Bridge
Stand-out fashion designers to watch include: Sarah Mok, Ana Diaz, Kate Sala and Celene Bridge.
Hero Image: Ephemeral Reverie. Photography by Lucas Dawson Photography
L’Oreal Melbourne Fashion Festival
lmff.com.au
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
As Australia ages, will its residents be able to access fair, accessible and affordable housing? Sibling Architecture has proposed a “radical” and cross-generational solution to housing problems, based on three years of research.
Karndean’s newly evolved Opus range brings versatility and durability to the forefront of commercial flooring. Blending design-led aesthetics with robust, high-performance functionality, it’s a go-to solution for spaces that demand both style and resilience.
As the corporate landscape continues to evolve, a recent study by renowned design firm Hassell sheds light on the significant impact of office transformations on employee satisfaction.
The super new thing about new TacTiles is that they don’t use glue. Designed to enhance the flexibility and efficiency of InterfaceFLOR modular carpet, they offer the stability and durability of a permanent installation, without the need for permanent adhesion. TacTiles are clear plastic squares with a special releasable adhesive applied to one side. TacTiles […]
The internet never sleeps! Here's the stuff you might have missed
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
Held at Vini Divini Wine Lab in Sydney, the event brought together designers, operators and project leaders for an evening of lesser-known wines and conversation.
At Machine Hall, Herman Miller gathered Sydney’s design community to consider performance seating as part of workplace strategy, not just workplace furniture.
Melbourne-based architect and object maker Adam Markowitz blurs the line between design and craft, bringing a deeply considered, material-led approach to his work. As both a practising architect and furniture designer, Markowitz explores how objects can respond to space, light and human use.