After almost two decades of inspiring passion for design, Corporate Culture has distilled its identity into CULT. Aspirational yet inclusive, this new identity pays tribute to the religion of Design, and announces its first collaboration with Australian Designer Adam Goodrum.
June 18th, 2014
For just over 17 years, Corporate Culture has been bringing the best of international and local designs to Australian and New Zealand shores, through its showrooms in Sydney, Melbourne, Brisbane, Auckland and through its local partners in Perth, Adelaide and Canberra.

Adam Goodrum’s new collection for CULT
The company’s major focus for most of this time has been the corporate office – the name Corporate Culture reflected the mission to provide businesses with products that communicate their identity to clients and staff. At the same time, Corporate Culture were attentive to a broader agenda, to provide the local cognoscenti access to the most important designs of our times, for the home.

Adam Goodrum’s new collection for CULT
As the work/home axis began to shift, Corporate Culture became increasingly aware of a blur in the lines between ‘office’ and ‘home’ designs, and the possibility of a cohabitation between loose furniture and office systems. A less traditional workplace allows room for a more collaborative work ethic to thrive, enhancing a sense of engagement in and with a company.

Adam Goodrum’s new collection for CULT
As BYOD (Bring Your Own Device) and hot desking are becoming common work practices, the importance of a totally free dialogue between both environments is growing: a sleek timber dining table may efficiently – and beautifully – function as a work setting (at the office, or in the home-office); a classic-mid century swivel chair can operate as effectively, communicating an eloquent message of elegance and savvy, in both the living- and board-room, the reception or the study. This segue of domains has opened the field right up, creating exciting options for individual expression at work and at play.

Adam Goodrum’s new collction for CULT
Rhyming with this shift, and in reflection of this new lifestyle dynamic, Corporate Culture has become CULT.
The designs and designers the company represents have always elicited strong emotion, inspired people to dream, created an aura around themselves and the environments they inspire. It is an article of faith for CULT that great design makes life better, that a nurtured environment nourishes not just the eye but the soul. As Harry Bertoia put it, “The urge for good design is the same as the urge to go on living.”

Adam Goodrum’s new collction for CULT
Retiring from the field, Corporate Culture bequeaths almost two decades’ experience to its heir apparent, CULT. The new graphic identity reflects this shift – literally extracted from the existing ID, the word CULT emerges from the very history of Corporate Culture. Asymmetric, upper-case, it speaks to a new confidence in nuance. The showrooms began the shift to an idiomatic colour scheme and product display some time ago, and shall continue on this exciting path to entice and intrigue the visitor. CULT’s values – bringing the best to clients: superior product, on-time delivery, excellence in service – remain exactly the same.
Welcome to the CULT.
CULT
cultdesign.com.au
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
In an industry where design intent is often diluted by value management and procurement pressures, Klaro Industrial Design positions manufacturing as a creative ally – allowing commercial interior designers to deliver unique pieces aligned to the project’s original vision.
The difference between music and noise is partly how we feel when we hear it. Similarly, the way people respond to an indoor space is based on sensory qualities such as colour, texture, shapes, scents and sound.
At the Munarra Centre for Regional Excellence on Yorta Yorta Country in Victoria, ARM Architecture and Milliken use PrintWorks™ technology to translate First Nations narratives into a layered, community-led floorscape.
‘Find Your Way Home’ is a comprehensive guide to designing, renovating and building your own home in Australia based on the ‘Three Hat Approach.’
How do you showcase a vast range of products in your showroom, without cluttering it up? Looking to showcase its diversity of collections, while also letting each product ‘breathe’, tiling supplier Skheme has re-invented its showroom to capture the architecture and design sector directly, and position the brand at the forefront of the designer tile market. By Sophia Watson
The internet never sleeps! Here's the stuff you might have missed
Poliform approaches wardrobes as a kind of architectural infrastructure within the home – modular systems, with highly-engineered fittings and a wide palette of finishes to allow for configurable, design-led solutions.
Éthos by Biasol in Brighton reimagines the wellness clinic with sculptural interiors, rich materials and a calm, immersive experience.