October 29th, 2009









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The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Held in a private Melbourne residence, Fletcher Arts’ annual exhibition unites over 30 Australian artists and designers in a setting where art meets architecture.
Cuisine and the Arts, Owen Lynch looks at how this cultural convergence embodies the spirit of a people, reflects their traditions and defines their identity
Project: Australian Bureau of Statistics Office Project Overview:When surrounded by a sea of highrise it is nice to have a small piece of nature at your feet. The design team at Tsar worked with Heidi McIlveen of CCPCORP to create a unique flooring solution for the Australian Bureau of Statistics office in Market St, Sydney […]
The internet never sleeps! Here's the stuff you might have missed
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.