December 4th, 2009






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Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
This year we brought back the industry’s most iconic bash – the Sydney Indesign Wrap Party!
Biggie Smalls is a new hip-hop and New York City inspired kebab restaurant in Melbourne’s Collingwood, designed by Technē Architecture + Interior Design.
Bates Smart studio director Mark Healey has carved out a unique CV having worked on some of Australia’s best healthcare projects, alongside multi-res and commercial work. Here he opens up about the latest design thinking behind our changing healthcare landscape.
The internet never sleeps! Here's the stuff you might have missed
For centuries, stone and timber together have been used to translate architectural ideas into tangible spaces and places. There is a soul-level response to their sensory qualities, one that translates into an immersive feeling of connection and belonging.
Sydney’s Klaro Industrial Design treats manufacturing as the place where design intent is protected – offering commercial designers a responsive, original and considered way to specify.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.