Classique brought the outdoors indoors at SiD 2009, joining the others at Warehouse 625 and offering a wonderful EMO LOUNGE in a business card draw.
August 21st, 2009






















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In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
‘Breathing Helps’ is a major solo exhibition bringing together Nolan’s large-scale works with new commissions and performances.
The onset of the global pandemic put some of the most fundamental aspects of the way we live, work and play to a test, and in the aftermath, many have been deemed unfit, insufficient and inadequate. Not OE1, Herman Miller’s new workspace collection.
Since establishing his studio in London, Brodie Neill has worked with an impressive roster of clients and has founded a self-designed and self-produced furniture brand, Made in Ratio.
As we know, in the design world there’s no greater time to debut new products than at Salone del Mobile. Over an exciting week, thousands of exhibitors and visitors peruse the latest in design, and Italian design luminaries Lema, Fantini, Valcucine and Falper, are no exceptions.
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Hosted at Savage Design in Sydney, the first Indesign Social Club brought emerging architects and designers together for a smaller, more open conversation on participation, making and the future of practice.
After Milan Design Week’s ‘festival of consumption’, 3daysofdesign offers a much-needed reset, an opportunity to ‘make the world a better place’ and perhaps even a soft-launch of the future.