April 9th, 2009


















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Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
M Moser Associates has reimagined DuPont’s Shanghai R&D Centre as a network of connected neighbourhoods, using local references and workplace strategy to support collaboration, flexibility and future growth.
Light + Shade: An Exhibition of Contrasts features jewellery by Marta Niegowska and sculpture by Mark Coulston.
The internet never sleeps! Here's the stuff you might have missed
Arts writer and editor Victoria Hynes reports on the breadth of this year’s Venice Biennale, drawing out highlights from national pavilions including Australia, Morocco, India and the UK.