Dale Cox, John Nicholson, William Elcholtz, Cathy Blanchflower represent the Aussie Art world. Western Australia, 4 – 25 May.
May 16th, 2008
Johnston Gallery in Mosman Park is currently exhibiting a pretty impressive group show by four exciting eastern-states based artists in IDIOSYNCRASY II.
Each with their own distinctly Australian style, Dale Cox, John Nicholson, William Eicholtz and Cathy Blanchflower will showcase a diverse exhibition of paintings and objects until May 25.
Dale Cox, from Melbourne is a painter and sculptor. His sculptures feature his painterly skills, where plastic toy vehicles like trucks and forklifts, carry parcels of land, which have been meticulously painted on with bush landscapes.
Sydney based artist John Nicholson’s work is characterised by highly formal
plastic assemblies of coloured stripes. In 2007 he was placed as one of Australia’s 50 most collectable artists in Australian Art Collector, and he has been included in many prestigious sculpture award exhibitions.
William Eicholtz, another Melbourne artist, was recently featured in Australian Art Collector. These objects d’art are sophisticated kitsch, featuring an absurd humour of displaced art historical iconography from classicism to rococco.
Cathy Blanchflower, originally from Perth and now based in Melbourne, will
be showing a selection of new paintings that feature her recognisable flair
for colour, shape, rhythm and pattern.
A great showcase of the artisitic talent Australian is known for.
J O H N S T O N G A L L E R Y
20 Glyde St, Mosman Park, WA
Enquiries to Felicity Johnston
(61 2) 9385 0855
Cathy Blanchflower
Xenon XII (Fuzzy Sun) 2008
oil on canvas
101.5 x 101.5cm
Dale Cox
Untitled (Logging Truck) 2007
wood, acrylic paint, string, plastic toy truck
Length 38cm

William Eicholtz
Teapot Princess 2008
synthetic glazed urethane and silverware, vintage Swarovski rhinestones
35cm high
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
SeehoSu specialises in the supply of high quality designer furniture and accessories from regions including Japan, China, Canada and Australia.
It was a boisterous and happy crowd that attended the latest Objective Light event at InterfaceFLOR’s Sydney showroom on 9 September 2009.
UNStudio, in collaboration with Chinese information and communications technology firm, Huawei, has unveiled the design for a new flagship store in Shanghai.
Stone and ceramic are both classic additions within any space. Its diversity means that it can be used in any interior – modernist, industrial, minimalist, even vintage or classic. This week’s Indesign In Focus showcases stones and ceramics that make every interior elegant and sublime.
The internet never sleeps! Here's the stuff you might have missed
J.AR OFFICE’s hospitality venue in Brisbane strives to create a small oasis of shade and greenery amidst the concrete jungle of the city. Jared Webb tells us more.
M Moser Associates has reimagined DuPont’s Shanghai R&D Centre as a network of connected neighbourhoods, using local references and workplace strategy to support collaboration, flexibility and future growth.
Hosted at Savage Design in Sydney, the first Indesign Social Club brought emerging architects and designers together for a smaller, more open conversation on participation, making and the future of practice.
In this interview, Michael Leeton reflects on his philosophy of placemaking, connection to landscape and the importance of designing homes that balance intimacy with scale, using his award-winning project House on a Hill as a central reference point.