February 9th, 2011








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The difference between music and noise is partly how we feel when we hear it. Similarly, the way people respond to an indoor space is based on sensory qualities such as colour, texture, shapes, scents and sound.
Herman Miller’s reintroduction of the Eames Moulded Plastic Dining Chair balances environmental responsibility with an enduring commitment to continuous material innovation.
At the Munarra Centre for Regional Excellence on Yorta Yorta Country in Victoria, ARM Architecture and Milliken use PrintWorks™ technology to translate First Nations narratives into a layered, community-led floorscape.
In a tightly held heritage pocket of Woollahra, a reworked Neo-Georgian house reveals the power of restraint. Designed by Tobias Partners, this compact home demonstrates how a reduced material palette, thoughtful appliance selection and enduring craftsmanship can create a space designed for generations to come.
The public spaces of YTL Corporation’s new Kuala Lumpur headquarters walk a fine line between celebrating legacy and embracing the future.
No thanks to Covid-19, the Australian architecture and design industry’s biggest mental-health fundraising event has had a hiatus. But it’s time to dust off your dancing shoes and pull your costumes out of storage, because Dance For Life is back!
The internet never sleeps! Here's the stuff you might have missed
Clare Cousins discusses the design thinking behind the award-winning Fisher & Paykel Melbourne Experience Centre, exploring how thoughtful retail environments can create meaningful connections between brand, space and visitor.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.