Collins and Turner have fashioned a rather spectacular new centre for the local community in Sydney’s Waterloo
August 14th, 2012
Revitalising an existing services block, the new-look building is designed to house the disadvantaged youth and family counseling service WEAVE, a not for profit organization.

Collins and Turner’s $3.5 million dollar construction was largely funded by a $2 million grant from the Federal Government’s Community Infrastructure Program.

Commissioned by the City of Sydney and this week opened by Lord Mayor Clover Moore MP and Federal Member for Sydney The Hon. Tanya Plibersek MP, the development mirrors the urban environment it services, with the striking canopies and trellises forming a framework for the growth of foliage, embedding the building in it’s immediate environment.


“As the plants mature and grow across the canopy the resulting landscape form will gradually merge with its park setting, becoming an abstract and sculptural green form punctuating the park boundary and visually merging with the adjacent tree canopies.” says architect Penny Collins.

A series of interlocking, but self-supporting elements – the canopy structure has been designed to allow for future demounting and relocating – allowing the retention of the existing slab and wall structures of the site.

Internally, the space is arranged in what Collins and Turner describe as a “pin wheel” plan that radiates from a central courtyard.

Housing over 14 staff, the facility incorporates meeting rooms, workspaces, chillout room, counseling and consulting facilities.

Drawing inspiration from the grass covered iron-age forts of Celtic Wales, as well as the Cedric Price designed aviary at London Zoo, Collins and Turner have cast the net wide in producing a contemporary and engaging safe-space.
Collins and Turner
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Much research has been devoted to how beneficial nature is to the human brain. With nature’s psychological satisfaction in mind, St Petersburg designer Katia Tolstykh has designed the Orator, an object that satisfies our innate craving to spend time in nature.
The internet never sleeps! Here's the stuff you might have missed
For Libertine Parfumerie’s new Armadale boutique, Tamsin Johnson looked to the warmth of the home and the rhythm of old-world shopfronts to make fragrance retail feel slower, richer and more personal.
At Machine Hall, Herman Miller gathered Sydney’s design community to consider performance seating as part of workplace strategy, not just workplace furniture.
Designed by Billard Leece Partnership, the Wattle Building brings expanded clinical services together with a more legible, family-centred experience of hospital care.
In this interview, Michael Leeton reflects on his philosophy of placemaking, connection to landscape and the importance of designing homes that balance intimacy with scale, using his award-winning project House on a Hill as a central reference point.