Australian and New Zealand design recognised at Tuesday night’s Creative Vibe awards.
November 19th, 2009
Following the success of the 2007 and 2008 Creative Vibe awards, after much deliberation Gregory Commercial Furniture (GCF) announced the winner of their annual design awards Tuesday night.
The Vibe brand, aimed at promoting the work of Australian industrial designers, consists of a range of furniture by innovative designers.
Entrants from Australia and New Zealand were asked to submit new designs including details on marketability, manufacturing and cost structure for the GCF team’s consideration.
This year’s competition saw stools take centre stage, with seven finalists presenting their designs along with their prototypes, which had been manufactured with help from GCF’s in-house designer Kevin Brookes.
The four judges put Lyndon Craig’s ‘Sling’ design on a pedestal for its stackability, overall aesthetic appeal and affordability.
Craig is a Vibe award veteran having scooped the 2007 award for his ‘Freestyle’ design – a flat-armed lounge designed to accommodate a laptop with a gap for magazines in the leg.
Runners-up included Ross Gardam’s sturdy wooden ‘Mia’ and a diminutive Daniel.Emma design, upholstered with red leather.
Next year sees the launch of the student division of the Vibe Awards open to Sydney-based students. ’¨
Vibe Furniture by Gregory Commercial Furniture
vibefurniture.com.au



INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Studio Becker Showroom Grand Opening When: Thursday 11th August Private Function Invitation Only. For more information please enquire at – rsvp@indesign.com.au
In the early 1950s, Swiss engineer Alexander Weber revolutionised window furnishing products by creating the world’s first silent curtain track using nylon gliders and aluminium profiles.
Going out into solo practice and running a business is not something architects and designers get taught at uni. Creating a brains trust during the Design Entrepreneur seminar session at FRONT, these are the key takeaways for anyone looking to go out on their own.
The latest issue of Indesign magazine is hitting the streets, and as our education special, #77 will look into the ‘knowledge economy’ and how today’s student-centred learning models have cannoned us into an era of non-traditional learning environments.
The internet never sleeps! Here's the stuff you might have missed
As Saturday Indesign prepares to return to Sydney this September, architects, designers and exhibitors reflect on what has kept the event relevant for more than two decades.
Hosted at Savage Design in Sydney, the first Indesign Social Club brought emerging architects and designers together for a smaller, more open conversation on participation, making and the future of practice.