Indesignlive has been hitting new heights of late, and we’re proud to share that we recorded over 41,000 unique visitors to the site last month. That means a whole lot of people coming to Indesignlive for their daily design fix! Thank you to all our readers for your continued support, and stay tuned as we […]
November 11th, 2011
Indesignlive has been hitting new heights of late, and we’re proud to share that we recorded over 41,000 unique visitors to the site last month.
That means a whole lot of people coming to Indesignlive for their daily design fix!
Thank you to all our readers for your continued support, and stay tuned as we keep bringing you the latest in architecture and design from around Australia and the world!
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The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Can train station design be more than a boring tube to funnel commuters to and from work? These 5 stations show a more beautiful side of urban design.
Mexican architecture studio LANZA atelier has been selected to design the Serpentine Pavilion 2026, which will open to the public in London’s Kensington Gardens on 6th June.
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Melbourne-based architect and object maker Adam Markowitz blurs the line between design and craft, bringing a deeply considered, material-led approach to his work. As both a practising architect and furniture designer, Markowitz explores how objects can respond to space, light and human use.